by John | Aug 24, 2018 | Our Winners, Updates
Among the many screenplays we received in our Spring 2018 Contest, one television script stood out. It advanced all the way to the finals of our overall contest as well as winning this award – HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE by Manny Jimenez Sr.!
Television may have long seemed like film’s little brother, but the truth is much more complex. A television pilot is only the first episode in a much longer story arc – so it has to convince us that there’s series potential that will keep audiences coming back time and time again!
Congratulations to Manny for winning in this category; his script made us laugh with its great premise and wacky situations. He now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes, plus a set of Development Notes to give him professional feedback on his work.
Read on to find out more about the winning script – HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE!
Here’s Manny’s summary of his script…
“HOLLYWOOD’S MOST WANTED is a single-camera, comedy-drama series based on the life of Manny Jimenez and Suspect Entertainment.
From the ‘hood to Hollywood, Manny takes his knowledge of gang-banging and turns it into dealmaking. He straddles two worlds — fatherhood, and managing former gang members — turning the latter not into actors but into law-abiding citizens. In the process, Manny becomes the C.A.A. of East L.A.”
And a short biography of Manny, too…
“LA gang member-turned-filmmaker Manny Jimenez Sr. took his knowledge of the streets and applied them to Hollywood. Manny’s unique journey has led him to be the subject of numerous news stories on CNN, ABC, Fox, Telemundo and Univision. They’ve also led to articles in newspapers and magazines such as The New York Times, The Los Angeles Times, LA Weekly, Entertainment Weekly and Emmy.
As a gang consultant, Manny worked on such films as Ali G Indahouse, Training Day and Criminal starring Diego Luna. Gang-consulting led to screenwriting. Manny believes authenticity is key and he writes from the truth. Now, as a screenwriter, producer, and finally taking a seat in the coveted director’s chair, Manny wrote and directed the short film A Way Out — an anti-gang story that will be used to deter at-risk youths.
Although working in the entertainment industry is Manny’s main endeavor, he has found his true purpose in life by guiding young people towards finding their passion and showing them that there is a better life without drugs and gangs.
Take a look at Manny’s YouTube page here: https://www.youtube.com/c/MannyJimenezSr
Manny has won previews of the WriteMovies Academy, and Phase 1 opens on September 15th – join now to take your work to take your screenwriting and production skills to the next level!
by John | Aug 17, 2018 | Academy, Updates
Start your journey to the top with our virtual film school, and take your screenwriting and production skills to another level. Welcome to the WriteMovies Academy!
No matter where you are in your odyssey as a writer or producer, our unique virtual film school will help you succeed. We will bring you closer to the real industry than film schools – and for just a small fraction of the price! With our course you’ll get insights and input into your projects from professional Hollywood writing experts, with tools, activities, articles, and materials that can’t be found anywhere else.
With an overall user rating of over 90%, our Academy has already received much acclaim! Our first set of feedback reports have given a 93% rating to the Mini-Masterclass presenter, 91% to our media and resources, and 89% to both the content of the presentations and the activities! In addition to this, our users’ confidence in the material covered grew by 18.5% and their confidence in their own work by 17% – with each Phase of the course!
You can sign up for whichever Phase of the course you’re interested in, and you can start and finish it in your own time. You don’t have to pay for more than one Phase of the course at a time, and there are no penalties if you need to take a few months off for work. We will always be there for you!
We’re now accepting entries for the official launch of each Phase of the course, beginning with Phase 1 on September 15th 2018 – so click here to join now, and start your journey to the top!
by John | Aug 11, 2017 | Industry News, Our pick of the web for writers and producers, WriteMovies News
Our pick of the web for July 2017 – From the @WriteMovies Twitter Feed!
Our @WriteMovies Twitter feed has been sharing lots of exciting things giving our tips of the best new articles, insights and offers for screenwriters and producers on the web. And in case you’ve missed anything there, here is our pick for July 2017…
by John | Jun 26, 2017 | Writing Insights
WriteMovies Writing Tips – Robert McKee and being secure as a writer
“Secure writers don’t sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.” – Robert McKee
This is so true for everyone, especially those involved in our contests. For those of you who missed out on the Semi-Finals last week, this is your chance to go back to your script and get it as “director ready, as actor ready” as possible. No script we receive in our contests is the finished article, and our consultancies can help you figure out why your script is placing where it is, and what improvements can be made next – but this shouldn’t be something to be anxious about, it’s something to challenge yourself with, to come back next time stronger.
Even our eventual winners’ scripts won’t often be production-ready on their initial entry – there is always tweaking to be done, that’s why we give winners a year of free script development. Our Director of World Wide Development Ian Kennedy says:
“I’ve always found that working as a producer and director and actor has made my scripts better, because the better you know what those professionals will need in order to realize your script into a production, the better you will write to fulfil those needs for them. And therefore the better you’ll write, full stop!”
We can and will help both our winners and those of you who missed out to fulfil their script’s potential. If we believe we can sell it for you, then we’ll take it another step, and pitch it to the industry…
Share this quote from our Facebook page and our Twitter feed to inspire your writer friends, too, and to motivate yourself into getting your script as perfect as you possibly can. Hard-work is underrated, but so vital…
Exclusive to WriteMovies – To syndicate this content for your own publication, contact ian (at) writemovies dot-com.
© WriteMovies 2017
by John | May 5, 2017 | Studio Consulting, Trainees' Examples
An example script consultancy on a reading of GONE GIRL script, a film that starred Ben Affleck and Rosalind Pike.
“The script is long, but tightly constructed and there is no superfluous detail…” Extracts from a script report by our trainee Sandy chapman, based on a reading of the GONE GIRL script: If you want to learn more about the internship, too, just email info@writemovies.com.
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!
WRITEMOVIES STORY DEPARTMENT COVERAGE
TITLE: GONE GIRL LOCALE: Missouri
AUTHOR: Gillian Flynn SETTING: Urban
PERIOD: Modern FORM: SP
PRODUCER: N/A BUDGET: Medium
SYNOPSIS
Sinister voice over suggests Nick is a threat to Amy, but also that she is guilty of something. This is a tense relationship. Nick drives to the bar he runs with his sister, Go. It’s his fifth wedding anniversary. Flashback/Amy’s diary entry of when she met Nick at a party. There was an instant connection between them.
Present day, and Nick complains to Go that Amy’s anniversary treasure hunt will reveal all his shortcomings. Back home, Nick finds the front door open, the living room wrecked and no sign of Amy. Boney and Gilpin arrive. Boney recognises the ‘Amazing Amy’ books – her disappearance will grab the media spotlight. Gilpin questions Nick, who comes across as remote, detached. Police teams find ‘Clue One’ of the anniversary trail and evidence that Amy paid for everything the Dunnes own.
Nick heads to a press conference with Amy’s parents. He appears uncaring, is photographed smiling. Her parents have a big campaign launched. Boney wants Nick to solve the anniversary treasure hunt, to retrace Amy’s steps. They get as far as Nick’s office, where Boney finds a red lacy thong. Flashback/diary entry: Amy has given her parents most of her trust fund. Nick is unhappy as they’re both unemployed, but accepts the situation…
COMMENTS:
Amy’s disappearance, the inciting incident, occurs early in the script and is an immediate hook: will Nick be charged with murder? It’s already been revealed that their relationship had soured, and this, combined with a series of media gaffs, points the finger firmly at Nick’s guilt. Yet the opening voice over has already alerted us that things will not be as they seem in this script: we might suspect Nick isn’t guilty, but have no idea how he will prove his innocence. The script drips mounting evidence against him carefully throughout act one and the beginning of act two, from money worries to violent behaviour. The most damning evidence is his affection for Andie. Her appearance urges the audience to think that perhaps Nick is guilty after all, he’s certainly less likeable, and that perhaps we were wrong to be rooting for him thus far.
The audience are thrown another twist at the mid-point. Even if we weren’t convinced of Nick’s guilt, the extreme measures Amy took to frame him are incredible and the initial hook remains intact. The shift is that we are no longer in any doubt that Amy is the driving force behind this story, and behind Nick’s future. Her motives and actions are believable: she may act beyond the boundaries of ‘normal’ behaviour, but she is disturbingly real. Nick is forced to play by her rules, and in a last-ditch attempt to save himself appeals to any vestiges of love she may have for him. Amy responds, but in true Amy fashion her plans require more extreme action that will keep the audience enthralled. Nick may have proved his innocence, but he is, in effect, sentenced to a lifetime with Amy. The ending avoids the cliches and neatness that one might expect from the genre, but is completely fitting for the characters, adding depth to the story and drawing greater empathy from the audience.
The script is long, but tightly constructed and there is no superfluous detail. It retains the feel and the drive of the bestselling novel on which it is based and has the advantage of having been written by the same author…
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!
by John | Apr 27, 2017 | Studio Consulting, Trainees' Examples
An example script consultancy on a reading of MOONLIGHT script, winner of Best Picture and Best Original Screenplay at the 2017 Oscars.
“This screenplay is beautifully written, the central theme elegantly expressed in an almost poetic style…” Extracts from a script report by our trainee Edward Smith, based on a reading of the MOONLIGHT script.
This example report was completed by Edward Smith as part of his internship with us, which has recently been successfully completed.
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!
WRITEMOVIES STORY DEPARTMENT COVERAGE
TITLE: MOONLIGHT LOCALE: Miami, Atlanta
AUTHOR: Barry Jenkins SETTING: Urban U.S.
PERIOD: Present FORM: SP
PRODUCER: N/A BUDGET: Low
SYNOPSIS
This screenplay is divided into three chapters, each focusing on a different stage of the protagonist’s life and titled after the name he is currently using; in the first part, aged twelve, he goes by the name LITTLE. Chased by a gang of bullies, he takes refuge in an abandoned crackhouse, where he is found by the drug dealer, JUAN. Little spends the night with Juan and his girlfriend, TERESA, and starts to become close to them because his own mother, PAULA, is neglectful of him.
When Juan discovers Paula doing drugs, they argue about raising Little, with Paula implying that he is gay. That night, having been confronted by Paula, Little goes to speak to Juan, asking him what the word “faggot” means and whether he is himself gay. Juan reassures him, but is then forced to admit, to his shame, that he is a drug dealer and that he has sold Paula drugs.
In the second chapter, the protagonist, now sixteen-years-old, goes by his real name, CHIRON. In the intervening years, Juan has died and Paula has become even more abusive, but Chiron still regularly visits Teresa. He is now struggling with his attraction to his friend, KEVIN, while also still coping with bullies – particularly his classmate, TERRELL…
COMMENTS:
This screenplay is beautifully written, the central theme elegantly expressed in an almost poetic style. It deals with an oft-overlooked issue, studying what it is like to be a gay black man, charting the struggles the protagonist faces in establishing his own identity in a culture that is hostile to his sexuality; this is dealt with both delicately and realistically thanks to the high quality of the writing…
By portraying three distinct stages of Chiron’s life, we are able to see the intricacies of his situation and better understand how he develops as a character. He is forced to change because of the physical and emotional abuse he suffers, with very few nurturing figures to help him. From being a gentle, vulnerable child, he violently lashes out against his bullies and eventually reinvents himself as a drug dealer to hide who he truly is. In the end, he is only able to come to terms with his sexuality because of Kevin’s influence, bringing him full circle back to his true self after all the challenges he has faced.
Each chapter also has its own, miniature three act structure. For example, the first chapter has an inciting incident when Little meets Juan; the first act sees them become attached to one another, the second develops their relationship, and the third deals with the conversation between them when Little asks about being gay. Similarly, the other two chapters also have a three act structure, allowing each one to stand on its own as an independent story – albeit strengthened and given context by the others.
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!
by John | Feb 22, 2017 | WMC, WriteMovies News
Spring 2017 International Screenwriting Competition: Major international screenwriting competition, refocused upon what writers value most about us…
(more…)
Congratulations to Manny for winning in this category; his script made us laugh with its great premise and wacky situations. He now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes, plus a set of Development Notes to give him professional feedback on his work.
