Earlier this week we reported how recent Grand Prize Winner Vanisha Renée Pierce earned multiple industry partnerships thanks to her win with WriteMovies, but she’s not alone: Elizabeth Savage Sullivan has also found success since her win!
Elizabeth was our Grand Prize Winner in Summer 2020 with her script THE BOY ON COVER, a powerful screenplay telling the story of photojournalists working in the war-torn Congo – and how their actions can change the course of both their own lives and the lives of their subjects.
Now, she’s also being rewarded for her work thanks to the prizes she received from WriteMovies for her win:
“Since winning the WriteMovies Summer 2020 Screenwriting Contest, I was hired by Dimlight Pictures to rewrite an exciting screenplay for a director-producer who found me on Inktip. This was one of the great prizes I received from WriteMovies for my Grand Prize win with The Boy on the Cover!
I also recently become a quarter finalist in Nicholl, 2021.”
Congratulations to Elizabeth Savage Sullivan for her continued successes, things are really shaping up for her! Contact firstname.lastname@example.org today if you’d like to work with Elizabeth yourself or are interested in THE BOY ON THE COVER.
There’s more news to come about what our WriteMovies winners have been up to, not to mention our pitching work which we’ll report in our Industry Diary. Stay tuned for more updates!
WriteMovies Director Ian Kennedy writes: Why Bollywood should take ITSELF more seriously! The career of Salman Khan and the Bollywood tropes that hold the Indian film industry back…
Ian Kennedy writes: In this series of articles, I’m exploring some reasons we should take Bollywood cinema more seriously – it’s definitely not for everyone, but I for one find it a refreshing way to enjoy movies on different terms to the normal Hollywood mindset. Here, I’ll be looking at the biggest classic of the Bollywood system, SHOLAY (1975), to show why it’s got something distinctive to offer English-speaking audiences.
SHOLAY’s scriptwriting works differently to Hollywood classics and as a script analyst and producer I find that refreshing. On my editors’ suggestions, the film and its songs also found a place in several episodes of the drama series I used to write for, so I had a personal connection to it long before I saw the movie, which made it even more enjoyable to finally see it years later.
Sanjay Dutt – Infamous Bollywood Actor
As more of us get the chance to discover Indian films on streaming services, WriteMovies’ Director Ian Kennedy explores these often lavish films to ask whether Hollywood should take Bollywood more seriously. He discusses the appeals of Bollywood films for English-language audiences, and asks whether Bollywood should take ITSELF more seriously to break through to the rest of the world now that PARASITE has shown that non-English-language films can triumph!
To be a great screenwriter, you need to nail the fundamentals. No matter how long you’ve been writing or how many scripts you’ve written, focusing on these aspects will make you a better writer – and that’s why we’re looking at them in this online session on the Key Aspects of Writing and Storytelling on July 1st!
We’re halfway through our online Introduction to Professional Screenwriting Course, but it’s never too late to join. The next session in the course is coming up this Thursday, April 29th: Second Drafts!
Presenting a new online session taught by WriteMovies’ Director, Ian Kennedy! On May 13th, find out What Producers Want From Writers, with unique insights and tips for both pitching and writing from the very top.
To become a successful screenwriter, you need to work with the people who actually turn scripts into movies: producers. That means you need to get their interest, and you can’t do that unless you know what they’re looking for!
This online session from WriteMovies’ Director Ian Kennedy will teach you what producers and commissioners want from writers, and involves a 1 hour presentation followed by a Q&A session. Find out what he’s discovered from his experiences pitching to top producers, along with hints and tips from WriteMovies Elite Consultants.
You will learn:
- Coming up with a concept that producers can’t ignore
- Which elements of a script matter most to executives
- The commercial aspect of a script
- Why the first 10 pages are the most important
- The dos and don’ts of approaching producers
- How to work with producers and establish a strong working relationship
What Producers Want From Writers costs $30 and takes place on May 13th at 12pm PDT (3pm EDT / 8pm GMT). Click HERE to sign up now!