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Winter 2019 Screenwriting Contest – Semi-Finalists!

Winter 2019 Screenwriting Contest – Semi-Finalists!

It’s time for more Winter 2019 Screenwriting Contest results! There were a lot of great scripts in our Quarter-Finals and it was tough to make this next round of decisions, but after careful consideration our judges have decided on our Semi-Finalists!

There’s often a fine line when it comes to the different rounds of our screenwriting contest. Some scripts only just miss out, and it can be difficult to know why. A lot of the time, it comes down to the execution of basic elements – structure, characters, and dialogue.

Take a look also at this article that our Director, Ian Kennedy, wrote when we announced Quarter-Finalists: What your writing submissions are telling us, 2017-2019. If you’re making any of these mistakes, they could be holding you back!

But what else have we found with these latest Winter 2019 Screenwriting Contest results? Well, a few things that have often helped our Semi-Finalists stand out from the rest:

  • Unique Concepts. If there’s something in a script we haven’t seen before, it immediately makes us want to read on. See what Ian wrote in his article about the number of scripts with a vehicle smash at about page 10 – when we’ve read the same thing so many times, it quickly starts to become dull. On the other hand, when we encounter something new – that’s really exciting!
  • Specific in genre and the story they wanted to tell. With a number of scripts, we found it difficult to tell what genre the writer was aiming at and it was a while before the story began to take shape. These unfocused openings usually fail to hold our attention. Be specific about your story, and be clear with its genre!
  • Engaging characters. Ian wrote it in his article but it’s worth repeating again here: “Make us care and get fascinated with your main characters and their world”. When we care about the characters, the script takes on a whole new life. Don’t rely on clichés or stereotypes, but create rounded characters we can engage with as if they were real people. And not just the protagonist either, but the supporting characters and villains as well!

And with that, it’s time for the moment you’ve been waiting for. Here are our next Winter 2019 Screenwriting Contest results: the Semi-Finalists!

Semi-Finalists 
BAD LUCK VS KARMA, Aaron DavisTÖDLICHE ERINNERUNG, Urs AebersoldSPACE RACERS, Jason Azcar
THE DAWN OF EVE, James BinghamLE SECRET DU KATANA NOIR, Christian BourgeoisLA VENGEANCE DU COBRA, Christian Bourgeois
THE WALL, Anthony BuonoUNE CHANCE POUR GUERIR, Christine de ChauvelinPSYCHOANALYTIC TALES, Christine de Chauvelin
STRUCK, Elaine F ChekichTHE HUNTED, Mark FloodWITHOUT BORDERS, Chris Gebhardt & Jenn Russi
LAST CHRISTMAS, Owen GowerBAD LISTING, Brent HartingerKOBOS, Adam Hersh
HOLLYWOOD’S MOST WANTED, Manny Jimenez Sr.THE SAX, Pascal KulcsarAGENT 355, Laura Lambert
IN THE ABSENCE OF JUSTICE, Stephen F MaynardPROMISE OF TOMORROW, Andrew PenningtonTHIS IS NOT REVENGE, David Pierotti
BOY MOST WANTED, Tuck TuckerESTHER’S DEN, Persephone VandegriftTHE CRACK IN PEGGY SUE’S FLOOR, John Woodard

Keep an eye out for more Winter 2019 Screenwriting Contest results from us, as we move on now to judge our Finalists and winners – and decide who takes away the Grand Prize!

Spring 2018 Contest – Introducing the Winner of our Best Stageplay Award!

Spring 2018 Contest – Introducing the Winner of our Best Stageplay Award!

The winner of our Best Stageplay Award in our Spring 2018 Contest also made it all the way to the final, receiving an Honorable Mention: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard!

Our congratulations to John for this achievement; stageplays are judged on their screen potential but equally the quality of the writing. “Viability” is the deciding factor here! John now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.

Read on to find out about the stageplay which took the prize in this category: THE CRACK IN PEGGY SUE’S FLOOR!

Here’s John’s summary of his script…

“In 1944 racist Georgia, a black drifter saves a white recluse by killing her lecherous neighbor — setting in motion a chain of deadly events while uncovering secrets better left hidden.”

And a short biography of John, too…

“John Woodard is a multiple award winning screen, teleplay, and stageplay play writer living in Los Angeles, Ca..  Winner of The 2016 Beverly Hills Theatre Guild Youth Theatre Award for his play “The Princess Parodies.”  John has written screen and teleplays in a variety of genres that have all gone on to win various contests, including The Scriptapalooza Grand Jury Prize, Several Nicholl Fellowship finalists, Rhode Island International Grand Jury Prize, 2nd Place Story Pros Screenplay Contest, Page and Page International and many others.

John looks forward to seeing the first production of “The Crack in Peggy Sue’s Floor” on stage as well as his screenplays on the big screen!

If you’ve got a stageplay that would adapt well to the screen, why not commission our help to get it there?

With our Summer Offers running until 31st August 2018, you can get all the professional feedback you need at great prices – take a look at our Script Report services!

Spring 2018 Screenwriting Contest – Winners Announced!

Spring 2018 Screenwriting Contest – Winners Announced!

We are delighted to announce the winners of our Spring 2018 Screenwriting Contest!

 

We’ve read many fantastic scripts over the last few months, but at long last, our Spring 2018 Contest comes to a close. In every genre and in every format, there have been many scripts that shone – but we’ve finally managed to decide on our winners!

A massive thanks to everyone who entered, and who gave us so much great material to read! If you want to find out why your script placed where it did in our competition, we strongly encourage you to take advantage of our Script Report services – which are currently on special offer until 31st August 2018!

ScriptOur Grand Prize Winner walks away with:

  • $2000 cash prize
  • A year of script and pitching development worth $3200
  • Exclusive previews of our Virtual Film School and a copy of our Confidential Studio Manual

And the top three submissions all receive:

  • Guaranteed pitching and promotion to the top of the film industry
  • Exclusive prizes from InkTip – an InkTip Script Listing and the winning scripts’ loglines will be featured in InkTip’s Magazine, read by thousands of writers and producers.

 

So, a huge congratulations to our GRAND PRIZE WINNER:

DESERT RUN
by
Christopher Thomas

A great win for Christopher, and a thrilling script with strongly voiced characters. Christopher now takes home those wonderful prizes listed above.

 

But we must also congratulate our SECOND PLACED WINNER:

KLONDIKE MIKE
by
Thomas Zmiarovich

 

And our THIRD PLACED WINNER:

FIRE ON THE ISLAND
by
Timothy Jay Smith

 

A round of applause also for our Honorable Mentions: BLUT WIRD FLIEßEN by Urs Aebersold, LOVERS IN PARIS by Andy Conway, THE CRACK IN PEGGY SUE’S FLOOR by John Woodard, THE UNDERTAKER’S CHILDREN by Natasha Le Petit, THE ELECTRIC WAR by Arthur Tiersky, and HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE by Manny Jimenez Sr.

A very well done to everyone named here and the many other impressive scripts we read this time around. It’s been a tough field to choose from! See the results in full below.

We’ll be telling you all about our winners in the coming weeks, and getting their script development phase underway.

Head to our Facebook page and our Twitter feed to congratulate our top three winners and Honorable Mentions yourself!

Here are the Spring 2018 Screenwriting Contest Winners and Honorable Mentions…

 

GRAND PRIZE WINNER
DESERT RUN
by Christopher Thomas
SECOND PLACETHIRD PLACE
KLONDIKE MIKE
by Thomas Zmiarovich
FIRE ON THE ISLAND
by Timothy Jay Smith
HONORABLE MENTIONS
BLUT WIRD FLIEßEN
by Urs Aebersold
LOVERS IN PARIS
by Andy Conway
THE ELECTRIC WAR
by Arthur Tiersky
THE UNDERTAKER’S CHILDREN
by Natasha Le Petit
HOLLYWOOD’S MOST WANTED:
I’M READY FOR MY CLOSE-UP, ESE
by Manny Jimenez Sr
THE CRACK IN PEGGY SUE’S FLOOR
by John Woodard

Introducing the Winner of our Best Book award!

Introducing the Winner of our Best Book award!

We announced the winner of our Best Book award a short while ago, along with our Quarter-Finalists: BLUT WIRD FLIEßEN by Urs Aebersold!

Our congratulations to Urs for winning in this category, in which we assess both the quality of the writing itself and also its potential for screen adaptation. He now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.

Read on to find out more about the script which so drew our attention: BLUT WIRD FLIEßEN!

Here’s Urs’ summary of his script…

“Several mysterious suicides are disturbing police detective Nina Brandner – and when her partner dies in the same way, she is certain it is murder.”

And a short biography of Urs, too…

Urs Aebersold“Urs Aebersold was born in Switzerland, in the famous Emmental area. During his High School time in Biel/Bienne, a lakeshore town with excellent wines, he created several short films with close friends culminating in the 90 minute family drama DIE FABRIKANTEN.

In 1967 Urs went to Munich, studying there at the film school, and later on concentrated on screenwriting. He wrote several screenplays for TATORT, the popular crime series of the First German Television Channel. In the 80s Urs worked for several years for Bavarian Television as a producer and gained the Student Oscar with the short ABGESCHMINKT by Katja von Garnier, and was nominated for the Oscar for foreign language with the movie by Caroline Link JENSEITS DER STILLE.

In 2016 Urs began to write prose; his latest book is the psychothriller BLUT WIRD FLIEßEN.”

If you’ve got a book that would adapt well to the screen, why not commission our help to get it there?

With our Summer Offers running until 31st August 2018, you can get all the professional feedback you need at great prices – take a look at our Script Report services!

Best Long and Short Form Pilots announced – Spring 2018 Contest

Best Long and Short Form Pilots announced – Spring 2018 Contest

writing notes

We’re delighted to be announcing the winners of two more awards from our Spring 2018 Contest: Best Long and Short Form Pilots! These are both demanding categories, requiring a writer to tell a condense their story down to a small number of pages. In addition, any pilot episode needs to both tell a complete story and be the first instalment of a larger, overarching plot – meaning that these scripts have to pull double duty to achieve their goals!

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Meet our Spring 2018 Best Video Game Script Winner – BIG BALLS aka FUTUREBALL by Richard Guimond!

Meet our Spring 2018 Best Video Game Script Winner – BIG BALLS aka FUTUREBALL by Richard Guimond!

We recently announced the winning script in this brand new category: BIG BALLS aka FUTUREBALL by Richard Guimond!

A big congratulations to Richard for being the very first winner of Best Video Game Script – he now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School.

Read on to find out about the winning script: BIG BALLS aka FUTUREBALL!

Here’s Richard’s summary of his script…

“A Whole New Ballgame: A 21st Century sport, utilizing an incredible history-making vehicle. A classic underdog, Rocky-themed script that levels the playing field for men, women, and teenagers. Will the Reynolds family bring this revolutionary new sport to fruition? With big business stealing their Futureball concept away from them, this script charts their battle with this business entity, as well as their family adventures and comical mis-adventures in launching this new sport of man and machine.”

Best Video Game Script Winner Richard Guimond

And a short biography of Richard too…

“I am a former deep sea fisherman, and award winning screenwriter and novelist.  I have won over thirty-five awards including but not limited to from Grand Prize, Gold, Silver, and Finalist for many of my screenplay works in adult fiction. Over the last few years, I have won seven Finalist Awards and a Special Jury Award from The West Field Screenplay Competition for METACOMET. I also won First Place in The Kids First Media Competition at the Santa Fe Film Festival for my Family PG Screenplay titled: FUTUREBALL aka BIG BALLS, which now has won WriteMovies competition in their Video Game category.

I began my fishing and writing career at an early age. I started with a small skiff which eventually grew into a fleet of one hundred foot vessels, engaged in the trapping of offshore lobsters on the virgin Continental Shelf. At the time, I was the youngest fisherman in New England to venture out into this no-man’s land of risky, profitable opportunity. On the high seas, I did battle with competitive fishing fleets, stormy weather, winter nor’easters and cranky crews. Some of my novels and screenplays have captured some of those incredible adventures. I have written Fifteen Screenplays, Six Novels, and a Stage Play.”

 

If you’ve got a great idea for a video game script, check out our Elite Mentoring serviceMark Brendan, our Video Games and Board Games Elite Mentor, can give you valuable advice that will help you develop your script to its maximum potential.

Take a look at Mark’s profile here!

Meet David Dell Johnson, the WriteMovies Spring 2017 Contest Grand Prize Winner!

Meet David Dell Johnson, the WriteMovies Spring 2017 Contest Grand Prize Winner!

Meet our Spring 2017 Screenwriting Contest Grand Prize Winner: CHOKE JOB by David Dell Johnson! Check out David’s short bio and logline for the script.

A strong commercial appeal, an enticing story, and compelling characters. Many elements to David’s script, CHOKE JOB, stood out to us. One of our judges even said “I couldn’t stop reading it! It was so captivating.” Below you can read a synopsis for this “captivating” script.

Here’s what David wins…

  • David receives the Grand Prize of $1000.
  • David has also started his one-year of free script development with us.We’re looking forward to seeing the development of his script.
  • Once David and his script is ready, we’ll move into the process of pitching his script to the industry! Guaranteed! Beginning with…
  • David’s script will also be listed in InkTip’s directory and the script’s logline being featured in their magazine.

Here is a short bio on David:

David Dell Johnson is a retired Air Force officer and screenwriter from Alexandria, Virginia. Besides winning the WriteMovies Spring 2017 Screenwriting Competition his screenplay “Choke Job” took 3rd Place/Special Mention honors in the 2017 International Screenwriters Association (ISA) Screenplay Competition. His screenplay “Undertakings” was a finalist in the 2016 Roadmap Writers/Route One Entertainment Screenplay Competition. His screenplay “Dead Man’s Money” took first place honors in the Thriller category of the 2015 Fade In Awards Screenplay Competition.

And here is David’s short introduction to the script:

A slick defense attorney with a penchant for getting guilty clients acquitted has his life methodically destroyed by a mysterious stranger and must embark on a desperate race to clear his name of murder.

 Congratulations to David on being named our Grand Prize winner!

You could be our next winner and success story with our current main international contest, the Summer 2017 Screenwriting Contest – enter HERE.