Our Quarter-Finals are where we start to narrow down the field and start to see which scripts have the most potential – and that alone always makes them an exciting time for us!
Last week we announced the launch of our Summer Screenwriting Contest… and now it’s time for our latest genre prize! Last year we had a great time with this one, so it’s back once again – ladies and gentlemen, our Sci-Fi and Fantasy Award 2020 is now open!
The first ever WriteMovies Romance and Comedy Award has a winner! It’s been great to read all the scripts that were entered, and the standard was extremely high, as it usually is – but there can only be one script that takes the top spot…
Parting is such sweet sorrow… and we can’t bear to say goodbye to our Winter 2020 Screenwriting Contest just yet. So as a result, we’ve decided to give this contest a one week extension!
You’ve now got until Sunday March 8th to submit, giving yourself a chance to win great prizes from us here at WriteMovies – not to mention the prestige of becoming one of our winners!
We’ve talked enough about what the contest prizes are in our newsletters and articles – but if you need a reminder, there’s $2000 up for grabs for our Grand Prize winner, plus a year of free script development and guaranteed pitching to industry for our top three scripts!
Our Director, Ian Kennedy, will be sharing some of his Hollywood/LA diary with us over the next few weeks, with news of meetings at major studios and with elite producers, giving you insight into what goes on behind the scenes at WriteMovies. Make sure you don’t miss out, so you know how we present our winners to industry.
And in the meantime, put yourself in the best possible position by entering our contest! The window of opportunity is still open… for the moment. Click here to submit by Sunday March 8th for your chance to win the WriteMovies Winter 2020 Screenwriting Contest!
Have you entered the WriteMovies Winter 2020 Screenwriting Contest yet? If not, you’d better move fast – there’s just one week to go until the final deadline, which is coming up this Sunday 1st March!
It’s always easy to miss a deadline, especially when you want your script to be as good as it can get. You get stuck into the editing, polishing every last scene right down to the smallest word – and the next thing you know, you’ve missed your chance. The deadline has passed!
That’s why we always make sure to let you know when one is coming up. The Winter 2020 Screenwriting Contest has been a great one for us so far, especially with the inclusion of our latest genre prize – the Romance and Comedy Award 2020 – and we’re eager to see what else you’ve got for us. Make sure you get those scripts in!
With a $2000 Grand Prize on the line, plus free script development, guaranteed pitching to industry, and InkTip prizes for our top three scripts, there’s plenty to be won. We’re already looking forward to working with our next batch of winners. And who knows, one of them could be you…
It seems like just yesterday that we were announcing the third WriteMovies genre prize: the Romance and Comedy Award 2020. But the final deadline is already here – you’ve got until the end of this Sunday, February 9th, to submit your scripts!
If you’re feeling in a funny mood or a romantic one with Valentine’s Day coming up – or even a bit of both – then this is the contest for you. We’ll be accepting scripts in the romance, comedy, and rom-com genres – so if you think you’ve got what we’re looking for, make sure you submit by the deadline!
There are great prizes to be won, too. Our winner will receive two sets of Development Notes from our expert script analysts, further advice to fine-tune their work, and guaranteed pitching to industry. Plus, all submissions receive FREE, automatic entry to the Winter 2020 Screenwriting Contest!
The winner of our last genre prize, the Horror Award 2019, was MONGER by David Axe, and he also walked away with the Grand Prize in the Fall 2019 Screenwriting Contest: $2000! If you’d like to follow in his footsteps, then this is your chance.
WriteMovies has been helping writers succeed since 1999, and we’d love to help you, too. Don’t miss out on this great opportunity to get your script out there. Click here to submit to the Romance and Comedy Award 2020 by this Sunday, February 9th!
The winner of our Horror Award 2019 was also the Grand Prize Winner of our Fall 2019 Screenwriting Contest: MONGER by David Axe!
Having already introduced it here, we thought we’d get a more in-depth look at the project with a Q&A with David…
To find out what inspired the project, how he went about writing it, and his advice for writers, take a look below. And if you’d like to give yourself a chance to follow in his footsteps and win our Grand Prize of $2000, enter our Winter 2020 Screenwriting Contest by March 1st!
What was your inspiration for writing MONGER?
I borrowed from my own experiences. I was a war correspondent for many years and spent time with combat troops in several war zones. In 2011 I was riding in a U.S. Army vehicle in Logar province in Afghanistan when a bomb exploded underneath it. I was fine but many of the soldiers in the vehicle were not. More generally, I’m no stranger to trauma, guilt and alcoholism. I wanted to write about these things while also giving them substance. As in, a monster.
Why did you choose to write a horror movie?
Horror stretches the rules of everyday life, allowing a writer to play in a much wider space than, say, a strictly naturalistic drama would do. I wanted to give form to guilt. I wanted my characters to literally fight a monster that embodies their worst trauma. Hence horror.
What was the writing process, and how long did it take?
I write steadily, from beginning to end, over a period of a couple of months. Once I’ve got a solid first draft, I get some notes from readers I trust. In the case of MONGER, I hosted a table read that was very helpful. Then revisions lasting a few weeks. The whole process of writing MONGER took maybe four months.
How have your own experiences as a filmmaker informed your writing?
I’ve made a few indie features, most recently LECTION. The more I direct, the more I simplify my writing. As a director, I want a very clean script with clear conflict and strong characters. The texture and nuance come from performance, photography and production design. The writing should be a robust, strong framework. In other words, the director in me wants the writer in me to not overthink it.
What would be your advice to other screenwriters?
Write like it’s your job and you’re going to die soon, which you are. Get used to rejection and being ignored. Don’t be shy about showing your work. Be humble when people offer notes but also learn to smile and nod and ignore bad notes. Try everything you can think of to con someone, anyone, into producing your script. And if no one will shoot your script, consider doing it yourself. At the very least, you’ll learn a lot. Then sit down and write another one. And another. And another.