Our engagement in the wider industry never stops, even while we’re deep in judging scripts for our major contests. In fact we’re having some fascinating conversations right now, and we share them with you in our Industry Diary articles when we can. Here’s what we’ve got up to in June, including our best practice tips for linking writers and producers… (more…)
The past month in our Industry Diary: It’s been a long year, but we’re always looking to get our scripts pitched to industry. As productions get back on their feet, here’s an update about what we’ve been up to lately:
- One of our winners provided an excellent new draft of his powerful script yesterday, refined following our latest free Development Notes to get it pitch-ready. We’ve immediately sent the script on to Oscar-winning producers who asked to see the new draft once ready. Really excited to see what they think of it!
- I attended the WGGB Open Session discussing the impact of Covid-19 and Brexit has had on the industry, and information and guidance people can receive in the future. I also heard stories from people’s personal projects that were postponed, cancelled, or fortunate enough to be adapted to go ahead during the pandemic.
- Making enquiries through IMDb Pro with potential producers about some of our winners such as END OF THE LINE, RIDING WITH CHARLIE and MAKE THE WEATHER. You can read all about the writers and the scripts in the articles linked.
- We’ve been communicating with our latest winners to get their work pitch ready. All our winners have now received Development Notes from our analysts and are hard at work on new drafts of their scripts. We’ve also been putting together one-page pitches for them, a key tool for us when pitching.
- One of our recent winners is reworking their script into a different format after an expression of interest from one of our contacts, who is looking to pass on sci-fi scripts for an award-winning Hollywood professional to direct. Loglines for all our winners scripts were also sent out to top producers for consideration.
A year ago, we gave you a sneak peek at the industry diary of our director, Ian Kennedy, as he pitched our winners projects in Los Angeles. Now, as we start a new pitching push, we look back at a year like no other and how it’s shaped our plans for the future.
This week continues our new wave of industry outreach and check-ins. We’ve been checking on the state of the industry as we continue globally settling into the long-term changes compelled by COVID-19, attending the WGGB AGM. (more…)
We work with several established directors, such as double Oscar-nominee and double BAFTA-winner Habib Zargarpour, both as producers and as analysts. We get to consider works for them to direct, or for us to produce with them attached as director, or just to recommend they consider. Sometimes we’re sent books or scripts by writers’ agents or publishers, other times we’re considering the submissions to WriteMovies, other times we put a call out for something specific we think we could sell right now. So while assessing recent submissions from publishers, I thought we’d share thoughts about how to select projects for directors, producers or actors as clients… (more…)
It’s a busy one as many initiatives start to get off the ground at the same time! I’m live-blogging for this website and social media as I work, so the results will be a wide range of in-the-moment insights into working in the industry in script development and production, released as articles as we work! Stay tuned here and to our social media and latest website articles for updates about… (more…)
So when we can, we like to show you under the hood at WriteMovies to reveal how we pitch your scripts and progress our productions and ventures in the industry. Things often go quiet from July till mid-September, for example because producers are often filming or on holiday, so there’s a lot to pick up right now – which makes this a great time to look ahead in our new Industry Diary! And we’ve got a lot to plan for: resale of our feature film THE LIST, potentially producing a new feature film, pitching our winners, project selection for eminent directors we work with, online sessions and other collaborations – to name just a few. (more…)