THE TIME-TRAP: When the most dangerous man in America gets his hands on a time machine, an emotionally fragile FBI agent must go back through time after him, with the full knowledge that he can only return to the present by living his past all over again.
To describe THE TIME-TRAP as a thrilling ride would be an understatement. Partnering a great concept with high-octane action, this is a manhunt like we’ve never seen before. It kept us gripped from the first page to the last, coming through a highly competitive field to take first place. Congratulations to the writer of THE TIME-TRAP and the first ever winner of the WriteMovies Sci-Fi and Fantasy Award, Mark Flood!
As the WriteMovies Sci-Fi and Fantasy Award 2019 winner, Mark has won guaranteed pitching to industry, two sets of Development Note, and further advice on honing his script from our screenwriting experts. He’s also still in contention for our Spring 2019 Screenwriting Contest, which has a Grand Prize of $2000 and is open until June 16th. Click here if you want to enter the competition yourself!
Here’s a summary of THE TIME-TRAP:
Special Agent Sam Miller, a man haunted by the tragedy of his past, is the lead agent in the hunt for the FBI’s most wanted, Michael Barnton. After a dramatic chase across San Francisco Bay, Miller is successful in capturing Barnton, but instead of his mission coming to an end, he discovers it has only just begun.
Barnton escapes custody and stows away in a scientist’s car; a scientist who has succeeded in building a time machine which Barnton steals and uses to leap into the past, planning to change things in his favor. What Barnton doesn’t know is that although he can jump backwards multiple times, the only way to come forward to the present is to live all those days over again.
Realizing that he might be target in the past, Miller agrees to go after Barnton. Armed with a tracker and a second time machine, Miller embarks on an epic chase through time – with not just the chance to catch Barton, but also to right the pain from his past and discover that there might be more to Barnton’s crimes than it first seemed.
If you’re a producer interested in this project, email firstname.lastname@example.org today!
And here’s a quick bio of the writer of THE TIME-TRAP, Mark Flood:
Mark grew up in Northern Ireland and moved to Scotland to study at university. Because of his love of film and television, he decided to try his hand at screenwriting after university and even wrote a novel.
In recent years, Mark has continued to write for the screen. He is now writing with a better understanding of the process, a new love of the craft, and an appreciation of what his strengths are.
Our inaugural Sci-Fi and Fantasy Award may have closed for submission, but the WriteMovies Spring 2019 Screenwriting Contest goes on – and the final deadline is now just one month away!
Your last chance to enter will be on Sunday June 16th, with a Grand Prize of $2000 plus guaranteed pitching to industry and a year of free script development for the top three scripts. So get to work polishing that dialogue, tweaking your story, and fleshing out those characters, and make sure you give us lots of reasons to get excited!
But what will help you to get our attention? Here are some things we look out for:
- A unique concept. We read a lot of scripts, so show us something we haven’t seen before!
- Fully rounded characters that we love. If we’re invested in the people, we’ll always want to keep reading!
- Strong commercial potential. If the project won’t make money, it has little chance of getting made.
- A great opening. Make sure you grab us with the first ten pages. First impressions matter!
You should also take a look at our Director Ian Kennedy’s article on “What your writing submissions are telling us” for some hints and tips on what mistakes to avoid, and more details on what we’re after.
And then, when you’re finally ready… Click here to submit to the WriteMovies Spring 2019 Screenwriting Contest by June 16th!
A huge thanks to everyone who has entered our Winter 2019 Screenwriting Contest so far – we’re hard at work reading through your scripts! While the official deadline was yesterday, we’re announcing a one week extension to deal with technical and administrative issues we’ve been having recently – so we’ll be accepting further entries until January 20th!
The prizes we’re offering in our Winter 2019 Screenwriting Contest are:
- A grand prize of $2500, up from $2000!
- Top three scripts all receive a year of free script development worth up to $3200, with detailed analysis and advice on structure, characters, commercial viability, and other important aspects.
- Top three scripts all receive guaranteed pitching to industry, including packaging and promoting the projects to professional producers, directors, and actors!
- Plus exclusive prizes from InkTip, and more!
Thank-you for your patience during the email issues we’ve been having over the last few weeks, which has been the result of problems with our hosting. WriteMovies will be moving to new hosting shortly, which should resolve all the problems we’ve been having (and if you’d like to know which hosting provider we’d never recommend, feel free to get in contact with us privately!)
If you have sent us an enquiry at any point recently and not received a reply, contact us again now at email@example.com and we will endeavor to resolve your query as quickly as possible.
This might be the last time we run a contest in this format, so don’t miss out on this chance. Click here to submit by Sunday 20th January and take the first steps on your screenwriting journey with WriteMovies!
Today we look back at the winners of our Grand Prize from 2018 and reveal our full Wall of Fame 2018! If you’d like to see your name on next year’s Wall of Fame, enter our Winter 2019 Contest for a chance to come out on top – as well as the chance to win our Grand prize of $2500 in cash!
Here’s some more info on our Grand Prize winners from 2018. All of our winners received a year of free script development with us and we’re now working hard at polishing them to perfection!
- SLAVE SHIP by Tyler True: “A devout African man chooses to work on a slave ship in order to ensure the safe passage of other Africans sold into slavery.”
- DESERT RUN by Christopher Thomas: “A hard-bitten oil explorer and a desperate group of orphans led by two unorthodox nuns are forced into a hellish desert confrontation to escape the Nazis and help ensure an Allied victory.”
Wish you’d been featured on our Wall of Fame 2018? If you think you’ve got a script that will take you to the top, be sure to enter our Winter 2019 Screenwriting Contest! Closing on January 13th 2019, this might be the last time we run a major competition of this kind… And with an increased cash prize of $2500, this is an opportunity not to be missed!
C’est la rentrée les amis ! Le soleil brille encore et encore sur certaines contrées, et enflamme toujours l’imaginations fertile de nos auteurs préférés, autour du monde. Mais voilà qu’au loin se profile déjà un prochain Concours, et l’hiver naissant. Les chapkas vont remplacer les panchos, il est temps de se mettre au travail!
Vous pouvez d’ores et déjà nous envoyer vos textes, et ce jusqu’au 13 Janvier. Savez-vous que depuis longtemps nous faisons le pont entre les auteurs francophones et l’industrie cinématographique mondiale ? Nous offrons un accès total à nos compétitions internationales, et à nos services d’analyse et d’évaluation. Nos services, analyses évaluations sont de la même qualité et du même format que les plus grands studios de production internationaux. Entre autres choses, nous présenterons les scripts gagnants à nos contacts les plus haut placés dans l’industrie cinématographique pour vous et les gagnants recevront 2500$ USD ainsi qu’un développent de script gratuit (valeur 3200$ USD!). Alors foncez!
Si vous avez des questions, vous pouvez m’envoyer ça en privé : firstname.lastname@example.org
The desert takes care of its own… A hard-bitten oil explorer and a desperate group of orphans led by two unorthodox nuns are forced into a hellish desert confrontation to escape the Nazis and help ensure an Allied victory.
From the fierce competition of our most recent contest, one script emerged victorious. We are proud to introduce the WriteMovies Spring 2018 Contest Winner: DESERT RUN by Christopher Thomas!
A wartime action-adventure script set in Egypt, 1942, DESERT RUN is a thrilling script that rejuvenates the classic era of adventure. Full of excitement and romance, it kept us on the edge of our seats from the first page to the last, and deservedly took the top spot in our contest. Chris wins a cash prize of $2000, a year of script development worth up to $3200, and more!
Here’s a summary of the WriteMovies Spring 2018 Contest winner…
Michael Quinn, a man haunted by memories of a war-scarred childhood, grows into the roughshod desert explorer who discovers the enormous oil reserves in Saudi Arabia. By 1942, his company is the most important source of oil in the world – a world that craves his product – a world at war.
As Quinn tries to keep the oilfields out of Hitler’s hands, he discovers that the lives of a young nun and her crew of streetwise orphans are pawns in a deadly deal. And as the Nazis brutalize North Africa, Quinn and the boys devise their escape.
With Nazis at their back and the Sahara desert before them, a monster sandstorm offers them refuge. It’s said that the desert takes care of its own but the price is high, and when the survivors are finally confronted with a real hell-on-earth, they find their bonds irrevocably forged and their mettle tested.
And a short bio of Chris…
As a little girl growing up in Saudi Arabia, I was aware that I was surrounded by stories of epic proportions. History was happening everywhere and it gave me a particularly urgent perspective on humans, their conditions and their resilience that continues to feed my screenwriting. When I’m not mired in some dark and dire world I’ve created, I’m a creative writing instructor and a writer/designer of educational material based in Santa Fe, New Mexico. I’m also the Director and Lead Instructor for the Boulder Writing Studio’s Summer Creative Writing Camp series in Boulder, Colorado and serve on the Board of Directors. Prior to that I spent over 20 years as a senior level creative in the fields of animation, broadcast advertising, media design and film/video production. I have an MA in Educational Design E-learning from the University of Colorado Denver.
Want to follow Chris and become a Grand Prize Winner? Our Winter 2019 contest is now open – final deadline January 2019! Enter today and take your first steps towards writing success with WriteMovies!
We’ve got another great script to present to you! Our Spring 2018 contest 2nd place script is KLONDIKE MIKE by Thomas Zmiarovich!
This hilarious family comedy has an unusual Alaskan setting, lovable characters, and brilliant set pieces that will have you roaring with laughter. A big congratulations to Tom for his win; he receives Development Notes, previews of our Virtual Film School, exclusive prizes from InkTip, and more! Read on to find out more about this script…
Here’s the logline for KLONDIKE MIKE:
A family start a new life in Alaska where they encounter extreme wildlife and an eccentric local prospector with a talent for finding gold…
And the writer’s summary of his script:
In this adventurous family comedy, Sam McCord inherits a gold claim and decides to put his dead-end job with a corporate mega-store chain on hold and move his dysfunctional family to Alaska for the summer in hopes to strike it rich and solve all his problems.
Virtually dragging his wife, 16-year-old son and 9-year old genius daughter to the wilds of Alaska, he soon realizes that he knows nothing about working a gold claim. At a local saloon, Sam meets Klondike Mike, a rustic, flamboyant, vagabond lady’s man prospector, who convinces Sam he’d make the perfect straw boss to run the claim. With no other options, Sam hires him, and under Klondike’s direction the claim is soon running like clockwork. So, what could go wrong?
For Sam, everything – from pesky Yellow Jacket attacks, feisty raccoon encounters, cell phone-outhouse mishaps, Magic Mushroom trips with a cookie eating Grizzly bear, and the underhanded dealings with the Bible thumping claim jumpers trying to steal Sam’s claim back. Not to mention, Sam’s worries that his children admire Klondike more than him.
Thomas Zmiarovich Bio:
Born in Seattle, in the shadow of the aerospace giant, Boeing, my love for movies began as far back as I can remember. From the age of 10, much of my paper route money found its way to the cheap, week-day, matinees in summer at the Columbia City theater, a mile walk from my home on Beacon Hill. Sci-fi, comedy, action, you name it, I could have lived there if I could.
As an adult, I never lost that love of the big screen. Even as I raised a family and worked as a Tool Design Engineer, for Boeing. I always dreamed that I had something to contribute to the craft I loved so much.
Through the years, I wrote my stories and scripts, developing and learning the craft of writing and story-telling from names like Stanley Kramer, Abby Mann, Michael Hauge, Richard Walter, and others. I’ve had scripts finish in the quarter and semi-finals at Nichol, Austin, and others; am a finalist with Script Pipeline and the Washington State Screenplay Competition; and have had numerous Top Ten finishers.
My love of story telling will never allow me to stop trying to get those stories to the big screen for all to see.