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Spring 2018 Contest – Introducing the Winner of our Best Stageplay Award!

Spring 2018 Contest – Introducing the Winner of our Best Stageplay Award!

The winner of our Best Stageplay Award in our Spring 2018 Contest also made it all the way to the final, receiving an Honorable Mention: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard!

Our congratulations to John for this achievement; stageplays are judged on their screen potential but equally the quality of the writing. “Viability” is the deciding factor here! John now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.

Read on to find out about the stageplay which took the prize in this category: THE CRACK IN PEGGY SUE’S FLOOR!

Here’s John’s summary of his script…

“In 1944 racist Georgia, a black drifter saves a white recluse by killing her lecherous neighbor — setting in motion a chain of deadly events while uncovering secrets better left hidden.”

And a short biography of John, too…

“John Woodard is a multiple award winning screen, teleplay, and stageplay play writer living in Los Angeles, Ca..  Winner of The 2016 Beverly Hills Theatre Guild Youth Theatre Award for his play “The Princess Parodies.”  John has written screen and teleplays in a variety of genres that have all gone on to win various contests, including The Scriptapalooza Grand Jury Prize, Several Nicholl Fellowship finalists, Rhode Island International Grand Jury Prize, 2nd Place Story Pros Screenplay Contest, Page and Page International and many others.

John looks forward to seeing the first production of “The Crack in Peggy Sue’s Floor” on stage as well as his screenplays on the big screen!

If you’ve got a stageplay that would adapt well to the screen, why not commission our help to get it there?

With our Summer Offers running until 31st August 2018, you can get all the professional feedback you need at great prices – take a look at our Script Report services!

Spring 2018 Screenwriting Contest – Winners Announced!

Spring 2018 Screenwriting Contest – Winners Announced!

We are delighted to announce the winners of our Spring 2018 Screenwriting Contest!

 

We’ve read many fantastic scripts over the last few months, but at long last, our Spring 2018 Contest comes to a close. In every genre and in every format, there have been many scripts that shone – but we’ve finally managed to decide on our winners!

A massive thanks to everyone who entered, and who gave us so much great material to read! If you want to find out why your script placed where it did in our competition, we strongly encourage you to take advantage of our Script Report services – which are currently on special offer until 31st August 2018!

ScriptOur Grand Prize Winner walks away with:

  • $2000 cash prize
  • A year of script and pitching development worth $3200
  • Exclusive previews of our Virtual Film School and a copy of our Confidential Studio Manual

And the top three submissions all receive:

  • Guaranteed pitching and promotion to the top of the film industry
  • Exclusive prizes from InkTip – an InkTip Script Listing and the winning scripts’ loglines will be featured in InkTip’s Magazine, read by thousands of writers and producers.

 

So, a huge congratulations to our GRAND PRIZE WINNER:

DESERT RUN
by
Christopher Thomas

A great win for Christopher, and a thrilling script with strongly voiced characters. Christopher now takes home those wonderful prizes listed above.

 

But we must also congratulate our SECOND PLACED WINNER:

KLONDIKE MIKE
by
Thomas Zmiarovich

 

And our THIRD PLACED WINNER:

FIRE ON THE ISLAND
by
Timothy Jay Smith

 

A round of applause also for our Honorable Mentions: BLUT WIRD FLIEßEN by Urs Aebersold, LOVERS IN PARIS by Andy Conway, THE CRACK IN PEGGY SUE’S FLOOR by John Woodard, THE UNDERTAKER’S CHILDREN by Natasha Le Petit, THE ELECTRIC WAR by Arthur Tiersky, and HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE by Manny Jimenez Sr.

A very well done to everyone named here and the many other impressive scripts we read this time around. It’s been a tough field to choose from! See the results in full below.

We’ll be telling you all about our winners in the coming weeks, and getting their script development phase underway.

Head to our Facebook page and our Twitter feed to congratulate our top three winners and Honorable Mentions yourself!

Here are the Spring 2018 Screenwriting Contest Winners and Honorable Mentions…

 

GRAND PRIZE WINNER
DESERT RUN
by Christopher Thomas
SECOND PLACE THIRD PLACE
KLONDIKE MIKE
by Thomas Zmiarovich
FIRE ON THE ISLAND
by Timothy Jay Smith
HONORABLE MENTIONS
BLUT WIRD FLIEßEN
by Urs Aebersold
LOVERS IN PARIS
by Andy Conway
THE ELECTRIC WAR
by Arthur Tiersky
THE UNDERTAKER’S CHILDREN
by Natasha Le Petit
HOLLYWOOD’S MOST WANTED:
I’M READY FOR MY CLOSE-UP, ESE
by Manny Jimenez Sr
THE CRACK IN PEGGY SUE’S FLOOR
by John Woodard

Introducing the Winner of our Best Book award!

Introducing the Winner of our Best Book award!

We announced the winner of our Best Book award a short while ago, along with our Quarter-Finalists: BLUT WIRD FLIEßEN by Urs Aebersold!

Our congratulations to Urs for winning in this category, in which we assess both the quality of the writing itself and also its potential for screen adaptation. He now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.

Read on to find out more about the script which so drew our attention: BLUT WIRD FLIEßEN!

Here’s Urs’ summary of his script…

“Several mysterious suicides are disturbing police detective Nina Brandner – and when her partner dies in the same way, she is certain it is murder.”

And a short biography of Urs, too…

Urs Aebersold“Urs Aebersold was born in Switzerland, in the famous Emmental area. During his High School time in Biel/Bienne, a lakeshore town with excellent wines, he created several short films with close friends culminating in the 90 minute family drama DIE FABRIKANTEN.

In 1967 Urs went to Munich, studying there at the film school, and later on concentrated on screenwriting. He wrote several screenplays for TATORT, the popular crime series of the First German Television Channel. In the 80s Urs worked for several years for Bavarian Television as a producer and gained the Student Oscar with the short ABGESCHMINKT by Katja von Garnier, and was nominated for the Oscar for foreign language with the movie by Caroline Link JENSEITS DER STILLE.

In 2016 Urs began to write prose; his latest book is the psychothriller BLUT WIRD FLIEßEN.”

If you’ve got a book that would adapt well to the screen, why not commission our help to get it there?

With our Summer Offers running until 31st August 2018, you can get all the professional feedback you need at great prices – take a look at our Script Report services!

Spring 2018 Screenwriting Contest – Semi-Finalists and Best Studio Script, Indie Script and Short Script!

Spring 2018 Screenwriting Contest – Semi-Finalists and Best Studio Script, Indie Script and Short Script!

We are pleased to announce the Semi-Finalists for our Spring 2018 Screenwriting Contest – and the winner of our Best Studio Script, Best Indie Script, and Best Short Script Awards!

Screenplay

After another tough judging period, we’ve decided on the Semi-Finalists for our Spring 2018 Contest – plus three awards in new categories!

The scripts that advanced to the semi-finals impressed us for many reasons, with fantastic stories, well-crafted dialogue, and strong commercial potential – and as ever, a lot of great scripts just missed the cut. If yours is one of them, don’t feel downhearted – all of our Quarter-Finalists were impressive entries.

And don’t forget, if you want to find out why your script didn’t make it, and want to take it to the next level, all our Script Report services are on special offer until 31st August – and you get free entry to our next contest as a bonus!

Alternatively, check out our Elite Mentoring service: invaluable one-to-one advice from actual Hollywood producers and studio execs!

See the full list of Semi-Finalists below… but first, we’re announcing the best of those movie scripts that aimed themselves firmly at either a HIGH or a LOW budget which we felt could be the most desirable to producers at the budget it set… and, working to a different kind of constraint, we’re also announcing the Best Short Script! Writing a short film demands a particular skill: the ability to tell a complete, poignant story in the space of only a few short minutes – normally less than 15 pages instead of the usual 120.

Next week: we name our top ten and our Overall Winner! Who will take the big prize for the very best entry in our latest major contest?

Best Studio Script Best Indie Script Best Short Script
DESERT RUN, by Christopher Thomas!
With Honorable Mentions to: CHARMER, David Kurtz, and KLONDIKE MIKE, Thomas Zmiarovich.
FIRE ON THE ISLAND, by Timothy Jay Smith!
With Honorable Mentions to: LOVERS IN PARIS, Andy Conway, and THE UNDERTAKER’S CHILDREN, Natasha Le Petit.
ROLL WITH IT, by Rosie Byrnes!

A big congratulations to the latest winners; we’ll be in touch with them soon about their winnings! Meanwhile, these are all of the other SEMI-FINALISTS who are still in the running for the big one… congratulations to all of them!

Semi-Finalists
BLUT WIRD FLIEßEN, Urs Aebersold REMOTELY WORKING, William Baber ROLL WITH IT, Rosie Byrnes
PARDON MY GENDER: SUCH A FARCE!, Bob Canning LOVERS IN PARIS, Andy Conway UNE CHANCE POUR GUÉRIR, Christine de Chauvelin
LES NIOCKS, Edith Devillet THE GOOD CITIZEN, Joel Doty OPERATION BROTHER SAM, Gustavo Freitas
ON THE SPARROW, RW Hahn THE LAST KING OF AMERICA, Richard Guimond SOUL OF AN EMPIRE, Ryan Jaroncyk
THE SAX, Pascal Kulcsar HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr. SHOOTING ANGELS, RW Hahn
HOBBY AND FITZ, James Milton CHARMER, David Kurtz WINDSPIRIT, Paul Penley
MAUDITE ÉQUATION, Joel Prost THE UNDERTAKER’S CHILDREN, Natasha Le Petit THE MYTHICAL GOLDEN TROUT, Craig Peters
DESERT RUN, Christopher Thomas WHEN I WAS A CHILD, T. L. Needham FIRE ON THE ISLAND, Timothy Smith
THE LOST OPERA, Rachel, Thomas-Medwid THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps THE ELECTRIC WAR, Arthur Tiersky
THE CRACK IN PEGGY SUE’S FLOOR, John Woodard CHILDREN OF EDEN, Raymond Just KLONDIKE MIKE, Thomas Zmiarovich
MANHATTAN MARILYN (book), Philippe Laguerre MASON, Andrew Marshall
Best Long and Short Form Pilots announced – Spring 2018 Contest

Best Long and Short Form Pilots announced – Spring 2018 Contest

writing notes

We’re delighted to be announcing the winners of two more awards from our Spring 2018 Contest: Best Long and Short Form Pilots! These are both demanding categories, requiring a writer to tell a condense their story down to a small number of pages. In addition, any pilot episode needs to both tell a complete story and be the first instalment of a larger, overarching plot – meaning that these scripts have to pull double duty to achieve their goals!

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Spring 2018 Screenwriting Contest – Quarter Finalists, Book and Stageplay WINNERS!

Spring 2018 Screenwriting Contest – Quarter Finalists, Book and Stageplay WINNERS!

We are delighted to announce the Quarter-Finalists for our Spring 2018 Screenwriting Contest! And even more importantly, our next two winners…

 

ScreenplayThere have been a lot of great scripts for us to read for this contest, especially with our extended late entry running into June! The competition has been especially fierce, and we’ve enjoyed judging all the scripts we were sent.

So congratulations to our Spring 2018 Quarter-Finalists! Each script here deservedly advances in the contest. We’ll be giving every last one of them a fresh read as we consider which ones will make the Semi-Finals…

With so much competition this time around, a number of promising writers have unfortunately missed out – so don’t feel down if you’re one of them. A lot of the scripts that didn’t make it were strong contenders with a lot of positive features.

If you’d like to know why your script placed where it did, and how to take it to the next level, commission a Script Report from us to get a professional analyst’s opinion on what’s currently working and what’s holding it back. We provide large numbers of studio-quality Script Reports for writers and producers every year – and as an added bonus, you’ll get free entry into our next main contest!

Alternatively, check out our Elite Mentoring service: invaluable one-to-one advice from actual Hollywood producers and studio execs!

See the full list of Quarter-Finalists below… but first, here are the winners of Best Book and Best Stageplay!

BEST BOOK: BLUT WIRD FLIEßEN, by Urs Aebersold

BEST STAGEPLAY: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard

Hearty congratulations to them and everyone else who is still in the running for our other prizes! We’ll be in touch with them soon about their winnings…

Quarter-Finalists
BLUT WIRD FLIEßEN, Urs Aebersold REMOTELY WORKING, William Baber NICKERBACHER, Terry Barto
THE DAWN OF EVE, James Bingham HOPE IS NOT A BLACK AND WHITE RAINBOW, Harold L. Brown ROLL WITH IT, Rosie Byrnes
PARDON MY GENDER: SUCH A FARCE!, Bob Canning LOVERS IN PARIS, Andy Conway UNE CHANCE POUR GUÉRIR, Christine de Chauvelin
LES NIOCKS, Edith Devillet THE GOOD CITIZEN, Joel Doty RELENTLESS, Jay Fisher
OPERATION BORTHER SAM, Gustavo Freitas THE LAST KING OF AMERICA, Richard Guimond BIG BALLS aka FUTUREBALL, Richard Guimond
ON THE SPARROW, RW Hahn SHOOTING ANGELS, RW Hahn RACE, Justin Jackson
THE HAPPY PLACE, Justin Jackson THE BROKEN CYPHER, Justin Jackson SOUL OF AN EMPIRE, Ryan Jaroncyk
VIVA – A COLDPLAY MUSICAL, Ines Jimenez HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr. CHILDREN OF EDEN, Raymond A. Just
THE SAX, Pascal Kulcsar CHARMER, David Kurtz THE HEART OF A TIGER, SreyRam Kuy (book and screenplay)
MANHATTAN MARILYN, Philippe Laguerre (book and screenplay) THE UNDERTAKER’S CHILDREN, Natasha Le Petit INSPIRED, David Lawrence Lynch
HOBBY AND FITZ, James Milton WHEN I WAS A CHILD, T. L. Needham WINDSPIRIT, Paul Penley
THE SHADOW OF DHARMA, Mark Perlick THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps THE MYTHICAL GOLDEN TROUT, Craig Peters
MAUDITE ÉQUATION, Joel Prost WHATEVER IT TAKES, Robin Regensburg THE LAST JOURNEY OF NOAH, Mark Rigoglioso
PERISH, Mike Rogers IMMORTALIZING RAYMOND, James Rosenfield FIRE ON THE ISLAND, Timothy Smith
DESERT RUN, Christopher Thomas THE LOST OPERA, Rachel, Thomas-Medwid THE ELECTRIC WAR, Arthur Tiersky
THE CRACK IN PEGGY SUE’S FLOOR, John Woodard KLONDIKE MIKE, Thomas Zmiarovich