We’re pausing our contests to focus on a big year for our founder and recent winners.
Like many people and businesses, 2022 was a challenging year for us, with unexpected staffing changes and resultant delivery challenges. This left us with a bigger backlog of work than we anticipated, but coming into 2023 we’re ready and refocused for an exciting year for us, our founder Alex Ross, and our winners. Here are a few headlines of what to expect in 2023!
We’re pausing our contests while we focus on Alex’s news and on delivering great results in the industry for our 2022 winners and existing clients. You can still submit for our “Anytime Entry” to get a 10-page Analysis of your script and a free submission of your redraft to the next relevant WriteMovies contest. We will work personally with any existing submissions to help them get the most out of their entry.
Our consultancy services are now delivered directly by Alex Ross – literally the world’s most qualified person in why films succeed and fail! They still also come with a free contest entry. Check out the many packages and prices available here!
We have big announcements to make about Alex’s work and publications in 2023, including book news which all screenwriters will want to know about – watch this space in the coming weeks!
We’ll also be working with our winning writers and clients behind the scenes – and will be pitching them to industry soon! We’ll introduce them and their scripts on our website and newsletters for you soon.
We’ll also be turning Alex’s, and our own, lectures and insights into snappy online videos and online courses!
We’re really looking forward to this year – hope you are too!
Today, we’re launching a new category on the WriteMovies Directory: YouTube Channels for screenwriters and filmmakers!
Founded alongside WriteMovies in 1999, TSIM is our industry-facing partner organisation, promoting our award-winning scripts and other projects on our slate to the international entertainment industry. With our latest rounds of industry pitching underway this Fall, here’s your chance to see the new-look TSIM website and many of the projects we are currently pitching to industry!
WriteMovies Director Ian Kennedy writes: Why Bollywood should take ITSELF more seriously! The career of Salman Khan and the Bollywood tropes that hold the Indian film industry back…
Ian Kennedy writes: In this series of articles, I’m exploring some reasons we should take Bollywood cinema more seriously – it’s definitely not for everyone, but I for one find it a refreshing way to enjoy movies on different terms to the normal Hollywood mindset. Here, I’ll be looking at the biggest classic of the Bollywood system, SHOLAY (1975), to show why it’s got something distinctive to offer English-speaking audiences.
SHOLAY’s scriptwriting works differently to Hollywood classics and as a script analyst and producer I find that refreshing. On my editors’ suggestions, the film and its songs also found a place in several episodes of the drama series I used to write for, so I had a personal connection to it long before I saw the movie, which made it even more enjoyable to finally see it years later.
Still trying to come up with the right punchline? Still trying to figure out how love’s going to conquer all? You’re in luck – we’re giving you two more weeks to enter our Romance and Comedy Award!