PROMISE OF TOMORROW: After finding a website devoted to insulting him, a struggling, separated and obsessive Project Manager becomes determined to track down who created it.
A romantic-comedy with heaps of charm, PROMISE OF TOMORROW made us laugh more than any other script in this competition. In the tradition of great British rom-coms, it captured our attention with its quirky characters, heartwarming story, and fantastic audience appeal. This is a script that deserves to go far – a huge congratulations to its writer, the winner of our Winter 2019 Screenwriting Contest, Andrew Pennington!
As the Grand Prize Winner of our Winter 2019 Screenwriting Contest, Andrew has won $2500, guaranteed pitching to industry, and a year of free script development. If you want to follow in his footsteps, then enter our Spring 2019 Screenwriting Contest (click here!)
Here’s a summary of PROMISE OF TOMORROW:
PROMISE OF TOMORROW is a comedy feature following Owen, a slightly OCD Project Manager, who has always taken the easy roads in life.
Owen is horrified as he finds a website devoted purely to mocking him. It sends his obsessive and paranoid tendencies into overdrive, as he struggles to work out who could possibly have set up such a cruel prank. When his wife decides to leave, she becomes the clear number one suspect.
Seemingly more upset about the website than his impending divorce, Owen is guided by his family and friends to deal with his separation. His boss suggests using his considerable professional skills to aid the situation. Project manage his break-up!
Owen struggles through an investigation of clues as to the website author, whilst keeping emotional distance from his personal life. He finds that his coping mechanism can only work for so long before he’s forced to confront his difficult journey.
If you’re a producer interested in this project, email firstname.lastname@example.org today!
And here’s a quick bio of the writer of PROMISE OF TOMORROW, Andrew Pennington:
Andrew Pennington is a screenwriter who grew up in the North West of England and is currently based in Merseyside, with his wife and two children. He initially studied social sciences at Lougborough University and developed a career in research within academia and then the National Health Service.
An affinity for visual story-telling, initially starting with comic books as a boy, led to a love of film and T.V. Andrew went on to gain an MA in Screenwriting from Liverpool John Moores University. He writes a variety of film and T.V. screenplays, primarily in comedy and science fiction.
See if you can coax him into more social media than just retweets here: @atpennington
One contest ends, another begins… We’re committed to championing great stories in our 20th anniversary year, and after an incredibly competitive final round of judging for our Winter Contest last week, we’re eager to see what else you’ve got for us. So here we go again: the WriteMovies Spring 2019 Screenwriting Contest!
The Grand Prize Winner will walk away with $2000, and the top three placed scripts will all receive:
- A year of free script development worth up to $3200
- Guaranteed pitching to industry
- Exclusive previews of WriteMovies Academy, our unique Virtual Film School
- Exclusive prizes from InkTip
And as with our last contest, you can get free entry to the contest when you buy a script report from us. Get invaluable feedback from industry experts to help you hone your script and make it the best it can be, with Judging Feedback from just $89 – see our full list of Script Report Services here!
What does it really take to win one of our contests, though? With each round of our last competition, we’ve written an article explaining how we judge scripts, what the criteria are, and the what the most common problems are in the submissions we’re read – a must read for anyone entering the WriteMovies Spring 2019 Screenwriting Contest.
So before you submit, take a look at our article on What Your Submissions are Telling Us and then our Semi-Final results, where we discussed what made these scripts really stand out. Finally – and most importantly – see our Winners Announcement to find out what kind of questions we’re asking when picking between the strongest submissions in the contest.
WriteMovies has been helping writers succeed for twenty years. Enter the WriteMovies Spring 2019 Screenwriting Contest to begin your writing journey with us by clicking here!
It’s time for more Winter 2019 Screenwriting Contest results! There were a lot of great scripts in our Quarter-Finals and it was tough to make this next round of decisions, but after careful consideration our judges have decided on our Semi-Finalists!
There’s often a fine line when it comes to the different rounds of our screenwriting contest. Some scripts only just miss out, and it can be difficult to know why. A lot of the time, it comes down to the execution of basic elements – structure, characters, and dialogue.
Take a look also at this article that our Director, Ian Kennedy, wrote when we announced Quarter-Finalists: What your writing submissions are telling us, 2017-2019. If you’re making any of these mistakes, they could be holding you back!
But what else have we found with these latest Winter 2019 Screenwriting Contest results? Well, a few things that have often helped our Semi-Finalists stand out from the rest:
- Unique Concepts. If there’s something in a script we haven’t seen before, it immediately makes us want to read on. See what Ian wrote in his article about the number of scripts with a vehicle smash at about page 10 – when we’ve read the same thing so many times, it quickly starts to become dull. On the other hand, when we encounter something new – that’s really exciting!
- Specific in genre and the story they wanted to tell. With a number of scripts, we found it difficult to tell what genre the writer was aiming at and it was a while before the story began to take shape. These unfocused openings usually fail to hold our attention. Be specific about your story, and be clear with its genre!
- Engaging characters. Ian wrote it in his article but it’s worth repeating again here: “Make us care and get fascinated with your main characters and their world”. When we care about the characters, the script takes on a whole new life. Don’t rely on clichés or stereotypes, but create rounded characters we can engage with as if they were real people. And not just the protagonist either, but the supporting characters and villains as well!
And with that, it’s time for the moment you’ve been waiting for. Here are our next Winter 2019 Screenwriting Contest results: the Semi-Finalists!
|BAD LUCK VS KARMA, Aaron Davis||TÖDLICHE ERINNERUNG, Urs Aebersold||SPACE RACERS, Jason Azcar|
|THE DAWN OF EVE, James Bingham||LE SECRET DU KATANA NOIR, Christian Bourgeois||LA VENGEANCE DU COBRA, Christian Bourgeois|
|THE WALL, Anthony Buono||UNE CHANCE POUR GUERIR, Christine de Chauvelin||PSYCHOANALYTIC TALES, Christine de Chauvelin|
|STRUCK, Elaine F Chekich||THE HUNTED, Mark Flood||WITHOUT BORDERS, Chris Gebhardt & Jenn Russi|
|LAST CHRISTMAS, Owen Gower||BAD LISTING, Brent Hartinger||KOBOS, Adam Hersh|
|HOLLYWOOD’S MOST WANTED, Manny Jimenez Sr.||THE SAX, Pascal Kulcsar||AGENT 355, Laura Lambert|
|IN THE ABSENCE OF JUSTICE, Stephen F Maynard||PROMISE OF TOMORROW, Andrew Pennington||THIS IS NOT REVENGE, David Pierotti|
|BOY MOST WANTED, Tuck Tucker||ESTHER’S DEN, Persephone Vandegrift||THE CRACK IN PEGGY SUE’S FLOOR, John Woodard|
Keep an eye out for more Winter 2019 Screenwriting Contest results from us, as we move on now to judge our Finalists and winners – and decide who takes away the Grand Prize!
Thanks for all your support during this contest cycle! This is where it gets exciting – first Winter 2019 Screenwriting Contest results and a chance to share our judging findings and reasons with you. Whether you submitted or not – this is worth reading on about. (more…)
A huge thanks to everyone who has entered our Winter 2019 Screenwriting Contest so far – we’re hard at work reading through your scripts! While the official deadline was yesterday, we’re announcing a one week extension to deal with technical and administrative issues we’ve been having recently – so we’ll be accepting further entries until January 20th!
The prizes we’re offering in our Winter 2019 Screenwriting Contest are:
- A grand prize of $2500, up from $2000!
- Top three scripts all receive a year of free script development worth up to $3200, with detailed analysis and advice on structure, characters, commercial viability, and other important aspects.
- Top three scripts all receive guaranteed pitching to industry, including packaging and promoting the projects to professional producers, directors, and actors!
- Plus exclusive prizes from InkTip, and more!
Thank-you for your patience during the email issues we’ve been having over the last few weeks, which has been the result of problems with our hosting. WriteMovies will be moving to new hosting shortly, which should resolve all the problems we’ve been having (and if you’d like to know which hosting provider we’d never recommend, feel free to get in contact with us privately!)
If you have sent us an enquiry at any point recently and not received a reply, contact us again now at email@example.com and we will endeavor to resolve your query as quickly as possible.
This might be the last time we run a contest in this format, so don’t miss out on this chance. Click here to submit by Sunday 20th January and take the first steps on your screenwriting journey with WriteMovies!
Today we look back at the winners of our Grand Prize from 2018 and reveal our full Wall of Fame 2018! If you’d like to see your name on next year’s Wall of Fame, enter our Winter 2019 Contest for a chance to come out on top – as well as the chance to win our Grand prize of $2500 in cash!
Here’s some more info on our Grand Prize winners from 2018. All of our winners received a year of free script development with us and we’re now working hard at polishing them to perfection!
- SLAVE SHIP by Tyler True: “A devout African man chooses to work on a slave ship in order to ensure the safe passage of other Africans sold into slavery.”
- DESERT RUN by Christopher Thomas: “A hard-bitten oil explorer and a desperate group of orphans led by two unorthodox nuns are forced into a hellish desert confrontation to escape the Nazis and help ensure an Allied victory.”
Wish you’d been featured on our Wall of Fame 2018? If you think you’ve got a script that will take you to the top, be sure to enter our Winter 2019 Screenwriting Contest! Closing on January 13th 2019, this might be the last time we run a major competition of this kind… And with an increased cash prize of $2500, this is an opportunity not to be missed!
We’ve got another great script to present to you! Our Spring 2018 contest 2nd place script is KLONDIKE MIKE by Thomas Zmiarovich!
This hilarious family comedy has an unusual Alaskan setting, lovable characters, and brilliant set pieces that will have you roaring with laughter. A big congratulations to Tom for his win; he receives Development Notes, previews of our Virtual Film School, exclusive prizes from InkTip, and more! Read on to find out more about this script…
Here’s the logline for KLONDIKE MIKE:
A family start a new life in Alaska where they encounter extreme wildlife and an eccentric local prospector with a talent for finding gold…
And the writer’s summary of his script:
In this adventurous family comedy, Sam McCord inherits a gold claim and decides to put his dead-end job with a corporate mega-store chain on hold and move his dysfunctional family to Alaska for the summer in hopes to strike it rich and solve all his problems.
Virtually dragging his wife, 16-year-old son and 9-year old genius daughter to the wilds of Alaska, he soon realizes that he knows nothing about working a gold claim. At a local saloon, Sam meets Klondike Mike, a rustic, flamboyant, vagabond lady’s man prospector, who convinces Sam he’d make the perfect straw boss to run the claim. With no other options, Sam hires him, and under Klondike’s direction the claim is soon running like clockwork. So, what could go wrong?
For Sam, everything – from pesky Yellow Jacket attacks, feisty raccoon encounters, cell phone-outhouse mishaps, Magic Mushroom trips with a cookie eating Grizzly bear, and the underhanded dealings with the Bible thumping claim jumpers trying to steal Sam’s claim back. Not to mention, Sam’s worries that his children admire Klondike more than him.
Thomas Zmiarovich Bio:
Born in Seattle, in the shadow of the aerospace giant, Boeing, my love for movies began as far back as I can remember. From the age of 10, much of my paper route money found its way to the cheap, week-day, matinees in summer at the Columbia City theater, a mile walk from my home on Beacon Hill. Sci-fi, comedy, action, you name it, I could have lived there if I could.
As an adult, I never lost that love of the big screen. Even as I raised a family and worked as a Tool Design Engineer, for Boeing. I always dreamed that I had something to contribute to the craft I loved so much.
Through the years, I wrote my stories and scripts, developing and learning the craft of writing and story-telling from names like Stanley Kramer, Abby Mann, Michael Hauge, Richard Walter, and others. I’ve had scripts finish in the quarter and semi-finals at Nichol, Austin, and others; am a finalist with Script Pipeline and the Washington State Screenplay Competition; and have had numerous Top Ten finishers.
My love of story telling will never allow me to stop trying to get those stories to the big screen for all to see.