Blade Runner and AI Technology – Have the creative minds of this 1982 cult classic predicted the realities of our age? This is what WriteMovies founder Dr Alex Ross discusses in his new article “Can the prescience of Blade Runner engender a deeper understanding of our relationship with AI technology?” that’s been recently published in the Institute of Physics, Harvard, The Smithsonian and NASA! (more…)
As controversies rage about the problematic features of traditional Disney films and content, Newsweek has published an article about how “Disney Is Offending Its Audience”, and our founder is prominently featured. Here’s what Dr. Alex Ross had to say when featured in Newsweek:
“Disney would face an “impossible” task to ensure its vintage titles met today’s standards, according to Alexander Ross, author of The Evolution of Hollywood’s Calculated Blockbuster Films: Blockbusted.
“What would be even worse would be to ban the inappropriate; elements. We need to see these within a historical context [as a] reflection on the times. They shed light on our past, however unpleasant,” Ross told Newsweek. “With the now usual advisories, they should remain accessible to those who are interested. We need to continue engaging with these, the worst thing that could happen would be to shut down the debates.”
Ross was referring to Disney’s decision to put advisories ahead of older shows and films on its streaming service, Disney+, warning of potentially offensive content and even putting age restrictions on beloved titles such as Dumbo, Peter Pan and The Aristocats.
“Whether Disney can sanitize some of the problematic IP [intellectual property] in order to commercialize it is an entirely different matter. Some of their older IP, going back to their earlier, classic animation films is very valuable and adds hundreds of millions to the value of the studio’s library,” Ross added. “Does re-tooling it to make it acceptable and relevant to new generations make sense? Absolutely.”
CLICK HERE to read the full article at Newsweek.com!
CLICK HERE to hire Dr. Alex Ross as consultant for your own project.
It’s an exciting year for us and it’s hard to believe it’s already halfway done. We’ve been working hard behind the scenes on preparing our winners for pitching, as well as Dr. Alex Ross’s books and launches, and we’re getting ready for a dynamic few months ahead. Now we’re ready to relaunch our contests and services with an expanded and refreshed team – and we’re looking forward to finding out what you’ve been working on too!
We’re looking forward to having a big pitching presence in the months ahead – writers’ strike permitting! We’re also publishing our response to the WGA strike today here – we want writers to thrive in the new era, we’ve got some great winning scripts to promote, and we’ll share those adventures with you once the situation is right again.
Meanwhile, don’t forget that our founder Dr Alex Ross’s new book BLOCKBUSTED is now available in hardback and eBook and ALL of our newsletter subscribers can get a full 30% off! Click here to find out more – we look forward to sharing lots more about it in the months ahead. The film is full of exclusive insights into the evolution of Hollywood’s calculated blockbuster, including lots of your favorite movies from the 1970s to today. We’re also itching to tell you about his next book, which goes even deeper into one of the most iconic and talked-about films of the last half-century!
We’ve also got lots of strong new media and online course content shaping up to share with you as well – so there’s lots to look forward to!
Due out in May, this fascinating new volume will open up unique insights into how Hollywood invented and evolved its ‘calculated blockbuster’, and its future in the age of streaming. Check out the book’s newly-unveiled cover, including inspiring quotes and testimonials we’ll share below! Just another example of the value we at WriteMovies bring to the industry and to your projects: all our consultancy services can be delivered by Dr Alex Ross directly. Get in touch today!
Consultancy Services by Alex Ross at WriteMovies.com
“This book outlines in extensive and unique detail how studios make money not just on blockbusters, but also eventually from all movies, as Alexander Ross uses his vast experience, inside knowledge, and scholarly expertise to lay out both the successes and the mistakes of the ‘blockbuster era.’ I highly recommend it to scholars in film studies and business, film school students working toward a career in the film industry, and budding film producers and studio executives.”
– Hal Lieberman, Former Head of Production at Universal Pictures
“This book provides an original and welcome contribution to the literature about Hollywood. Building on his ears of experience in the film industry, insights from prominent industry actors, and rigorous research, Alexander Ross offers a compelling account of the risk of the modern blockbuster business model through details case studies of seminal movies, and of its viability in the streaming video-on-demand age. A valuable read for cinema students, scholars, and professionals.”
– Allègre Hadida, Universty of Cambridge
“In these case studies, Ross debunks many myths built up about them. His case studies demonstrate the relentless attention of studio executives to the possibilities of generating revenue. This book captures this practice and, in so doing, provides a valuable contribution to the hard-nosed worldview of Hollywood.”
– John Sedgwick, Oxford Brookes University
In this book, Alexander Ross highlights how creative entrepreneurs saved the Hollywood studios in the 1970s by establishing the calculated blockbuster, consisting of key replicable markers of success, as Hollywood’s preeminent business model. Ross demonstrates how visionary individuals such as Coppola, Spielberg, Lucas, and Zemeckis helped create the modern, calculated blockbuster business model (BBM). However, with the rise of streaming giants and the studios struggling to compete, many consumers of entertainment now elect to partake from the comfort of their homes, making the difference between “cinema” and “television” anachronistic. Revisiting the history of those 1970s blockbusters and their ongoing impact on contemporary filmmaking, Ross offers distinct analysis on whether the calculated blockbuster can continue to lead, or if the streamers will continue to generate their own content and, eventually, fully control the dissemination process. For scholars and students in film, pop culture, and business along with aspiring filmmakers, screenwriters, producers, and executives, the book will be a valued resource.
Most screenwriting gurus, books, and courses prevent you from developing your own voice, making every script sound the same. Without your own “voice” you have little chance of a screenwriting career. Contact alex@alexrossmentor.com now.
Blockbusted is a new book charting the evolution of Hollywood’s calculated blockbuster, and will be released in the coming months – but the book has already been recognized and acclaimed by leading industry professionals. It’s even challenging the industry’s long-held assumptions, as you can see below. Check out these first endorsements – just the start of the industry acclaim for Blockbusted we’ll be updating you with over the coming months. Get the input of the book’s author Dr. Alex Ross into your own project at here – or email us at info@writemovies.com to get the ball rolling!
“This book outlines in extensive and unique detail how studios make money not just on blockbusters, but also eventually from all movies, as Alexander Ross uses his vast experience, inside knowledge, and scholarly expertise to lay out both the successes and the mistakes of the ‘blockbuster era.’ I highly recommend it to scholars in film studies and business, film school students working toward a career in the film industry, and budding film producers and studio executives.”
– Hal Lieberman, Former Head of Production at Universal Pictures
“You are holding a volume which, to my relatively seasoned mind, adds a unique contribution to text-based cinema studies. This book is a persuasive, rigorously researched study of the evolution of the contemporary Hollywood blockbuster. It lays down a parallel track which posits an apparently astonishing argument, flagrantly challenging a long-held bit of supposed critical wisdom – William Goldman’s oft-quoted dictum that “nobody knows anything.” Indeed, Alexander Ross maintains that certain players inside The Dream Factory’s upper echelon of studio chiefs, producers, and mega-agents are not only intelligent, sophisticated mavens, they actually know what they’re doing.”
– Paul Sammon, film industry professional and author