by John | Jul 7, 2017 | Highlights, Our Winners, Results, Updates, WMC, WriteMovies News
Spring 2017 Screenwriting Competition: Major international screenwriting competition, refocused upon what writers value most about us…
Another writing contest complete, another group of winners revealed. We’ve seen the growth and improvement in many writers who have submitted: thank you to all of you who entered for making our jobs of judging the scripts enjoyable.
We strongly encourage you to take advantage of our script consultancies to find out why your script placed where it did. It will further your growth as a writer and you’ll be entered, for free, into the current Summer 2017 Contest – another chance to win big!
Here’s what our Top 3 win…
- Cash prizes of $1000, $300, and $200, respectively.
- The 3 winners will receive one year free of script development and mentoring.
- We’ll also pitch and promote the scripts to the top of the film industry. Remind yourself what makes for winning writing HERE.**
- Plus, exclusive prizes from InkTip – an InkTip Script Listing and the winning scripts’ loglines will be featured in InkTip’s Magazine, read by thousands of writers and producers.
Here are the final results for the WriteMovies Spring 2017 Screenwriting Competition
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WINNER
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CHOKE JOB, David Dell Johnson |
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SECOND PLACE
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THIRD PLACE
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THE FACTION, Kevin Karp |
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BURNER, Bob Canning |
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HONORABLE MENTIONS
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PERFIDIES, Bill Baber |
THE 405, Patrick Byrne |
CRAZY WITH LOVE, Ronald L. Ecker |
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COLONIALS, Ian Fletcher |
PEANUT, Manny Jimenez Sr. |
MYSPACE LOVE, Christophe Lourenço |
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THE CHERRY ROOM, Christine, Stevens DeLorenzo |
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by John | Jun 23, 2017 | Highlights, Results, Updates, WMC, WriteMovies News
We are delighted to announce the Semi-Finalists for our Spring 2017 International Screenwriting Contest.
Since the Bonus two-week extension in late May, we’ve had a lot of scripts to get through – but it’s been an enjoyable task reading through every one submitted – so thank you to everyone who entered the contest.
At this time, we try to only include scripts that we’re still considering as a potential winner. Having made the Quarter-Finalists shows that a script or writer already has some clear potential, and a Semi-Final place means that with more development this script could become a contender. Keep that in mind as you think about what to do with your script next. With the Summer 2017 Contest having just recently opened, the results should give you a good guide to the current state of your idea, writing and script.
We hope that those who did not make the Semi-Finals will stay in touch with us: very few writers secure an industry commission with their first few screenplays. We have enjoyed our exchanges with you and continue to work hard at making this site more relevant to your careers. Don’t forget that many of our writers got their careers going by using our consulting service: CLICK HERE
If you’ve sent us a revised version of a previous script but it’s still not gained the result you were hoping for, we recommend that you consider getting a consultancy on it from us. That way you can find out what we currently feel is holding your script back. And don’t forget our latest round of contests. You can get free entry to our main contest and the Featured Script of the Month when ordering a consultancy HERE.
So, here are the WriteMovies Spring 2017 International Screenwriting Contest Semi-Finalists, all of whom will get re-evaluated and new eyes as we select our top three Winners to be announced Friday, July 7th.
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SEMI-FINALISTS |
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| PERFIDIES, Bill Baber |
INSURRECTION (Pilot), Simon Bowler |
THE 405, Patrick Byrne |
BURNER, Bob Canning |
SEEMINGLY HARMONIOUS, Dengxian Cao |
| FELIX KERSTEN, Juniet Cedric |
CAPE ANGEL BLUES, Carl B. Clark |
AMERICAN HUNGER, Victor de Oliveira |
CRAZY WITH LOVE, Ronald L. Ecker |
THE ASHERAH, Ronald Ecker |
| COLONIALS, Ian Fletcher |
DRAGONS, Jason Ginsburg |
THE LIFE AND TIMES OF GEORGE BAILEY, Phillip Hardy |
NOBODY’S TRACKS, Guy Harvey |
PEANUT, Manny Jimenez Sr. |
| CHOKE JOB, David Johnson |
THE FACTION, Kevin Karp |
GAMERS, Travis Lemke |
MYSPACE LOVE, Christophe Lourenço |
NEVER A WORD OF A LIE, Karl Mather |
| LOVE CRUSH, Hamilton Mitchell |
THE LOCKSMITH, Jeffrey Morales |
THE LOSING GAME, Bernhard Riedhammer |
THE LORDS OF FARHAVEN, Michael Snow |
THE CHERRY ROOM, Christine, Stevens DeLorenzo |
| BLACKBERRIES IN THE DREAM HOUSE, Patrick Towne and Diane Frank |
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LOVING MY ENEMY, Maria Rosario A. Yano |
by John | Jun 9, 2017 | Highlights, Results, Updates, WMC, WriteMovies News
We are delighted to announce the Quarter-Finalists for our Spring 2017 International Screenwriting Contest.
Since the Bonus two-week extension in late May, we’ve had a lot of scripts to get through – but it’s been an enjoyable task reading through every one submitted – so thank you to everyone who entered the contest.
We decided against many competent works for a variety of reasons. Most were simply outperformed by other scripts at this stage in their development. Some were not suited for the cinematic medium, others conceptually flawed, and some lacked commercial appeal. But the enthusiasm and dedication from each writer is clear to see, and a lot explored genuinely distinctive territory that deserves further development. This should not be the end of the journey for anyone who submitted to us.
We hope that those who did not make the Quarter-Finals will stay in touch with us: very few writers secure an industry commission with their first few screenplays. We have enjoyed our exchanges with you and continue to work hard at making this site more relevant to your careers. Don’t forget that many of our writers got their careers going by using our consulting service: CLICK HERE
If you’ve sent us a revised version of a previous script but it’s still not gained the result you were hoping for, we recommend that you consider getting a consultancy on it from us. That way you can find out what we currently feel is holding your script back. And don’t forget our latest round of contests. You can get free entry to our main contest and the Featured Script of the Month when ordering a consultancy HERE.
So, here are the WriteMovies Spring 2017 International Screenwriting Contest Quarter-Finalists, all of whom will get re-evaluated and new eyes as we select our Semi-Finalists:
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QUARTER-FINALISTS |
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| ARIZONA, Natacha Astuto |
PERFIDIES, Bill Baber |
THE DAWN OF EVE, James Bingham |
LADY ON THE RUN, Virginia Bola |
ONCE A KILLER, Virginia Bola |
| TO DIE IN TAJOUTE, Virginia Bola |
THE CAGES OF CORCORAN, Virginia Bola |
TWO CHILDREN OF FATE, Ian Bonser |
INSURRECTION (Feature), Simon Bowler |
INSURRECTION (Pilot), Simon Bowler |
| THE 405, Patrick Byrne |
BLESSE, Bob Canning |
BURNER, Bob Canning |
THE GHOSTS OF LONDONDERRY, Bob Canning |
SEEMINGLY HARMONIOUS, Dengxian Cao |
| FELIX KERSTEN, Juniet Cedric |
CAPE ANGEL BLUES, Carl B. Clark |
ROAD KILL, Miles Colella |
MARIGOLD, Lisa J. Cristoforo |
AMERICAN HUNGER, Victor de Oliveira |
| CRAZY WITH LOVE, Ronald L. Ecker |
THE ASHERAH, Ronald Ecker |
COLONIALS, Ian Fletcher |
ROCK BOTTOM, Mark Flood |
DRAGONS, Jason Ginsburg |
| THE LIFE AND TIMES OF GEORGE BAILEY, Phillip Hardy |
NOBODY’S TRACKS, Guy Harvey |
PEANUT, Manny Jimenez Sr. |
CHOKE JOB, David Johnson |
THE FACTION, Kevin Karp |
| CHARMER, David Kurtz |
FOR THE LOVE OF PETE, David Kurtz |
GAMERS, Travis Lemke |
MYSPACE LOVE, Christophe Lourenço |
NEVER A WORD OF A LIE, Karl Mather |
| LOVE CRUSH, Hamilton Mitchell |
THE LOCKSMITH, Jeffrey Morales |
WHEN I WAS A CHILD, Terry Needham |
LAST RIDE OF METRO 313, Michael Neyland |
TABLE FOR FOUR, Jim Norman |
| DEPARTING O’HARE, Bill Papa |
SHINE YOUR EYES, Clint Pearson |
MALE DELIVERY, Paul Penley |
THE LOSING GAME, Bernhard Riedhammer |
HERE, THEN THERE, Paul Sargia |
| UP THE MAST, Andrew Smith |
THE LORDS OF FARHAVEN, Michael Snow |
RICHER THAN A WHITE MAN, Christine Stevens DeLorenzo |
John Smith, IRON MAIDENS |
THE CHERRY ROOM, Christine, Stevens DeLorenzo |
| BLACKBERRIES IN THE DREAM HOUSE, Patrick Towne and Diane Frank |
THE SECRET OF BANRION WOOD, Persephone Vandegrift |
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THREE WISHES, Rita Wheeler |
LOVING MY ENEMY, Maria Rosario A. Yano |
by John | Apr 24, 2017 | Our Winners, Results, Updates, WMC, WMC-Archive, WriteMovies News
Meet our Winter 2016 Screenwriting Contest Grand Prize Winner: BLACKOUT.COM by Ruben Bush III
The winner of the strongest field we’ve had in a long time… truly an achievement to be proud of for Ruben Bush III, the Grand Prize winner of the WriteMovies Winter 2016 Screenwriting Competition for his script BLACKOUT.COM. This was a provocative and ambitious script with real originality. We’re excited to get working on this and our other new winners Belinda and Elliott and Michael’s scripts. (more…)
by John | Apr 17, 2017 | Our Winners, Results, Updates, WMC, WMC-Archive, WriteMovies News
Congratulations to THE ARENA by Belinda Whitney.on being named our Winter 2016 Screenwriting Contest Second Placed Winner.
Belinda entered the screenwriting contest arena and impressed us to claim second place. Her script, THE ARENA did well in a competition that contained the best field of scripts we’ve had in a while! Second is still a great place to finish in our contests and here’s why…
- Belinda receives 1 Full year of script mentoring on her script, including development notes on all re-writes of winning scripts. Worth $3,200.
- Up to $1 million in option monies from the A-List producers we work with. If an established studio/production company with theatrical credits wishes to option the script, we will fly the winner to Los Angeles and pay (up to $4,000) for their accommodation.
- We will pitch the top three projects to relevant production companies (such as Neal Moritz Productions, Bruckheimer Films, Scott Rudin Prods.) & studios (Paramount, Warner Bros, Universal, etc.). Writer keeps ALL the option/sales money. The names of the top three winners and their projects are mentioned in press releases and on the web. The names of the top three winners and their projects are mentioned in press releases and on the web.
Here’s some background on Belinda:
“Belinda Whitney is a professional violinist, as well as fiction writer and screenwriter. She received a Certificate in Screenwriting from NYU. She has published science fiction and fantasy and been anthologized in several short story collections, including those of the Minnows Literary Group.
A Juilliard graduate, she has served as concertmaster of The Savannah Symphony, and numerous Broadway shows. Currently concertmaster of the Knickerbocker Chamber Orchestra, she has played for many film scores and recordings. Belinda is enjoying being on both sides of the film industry, musical and literary.”
And here is a short introduction to the script:
A futuristic gladiator battles for his life while trying to shield the son he loves from the brutality of the arena.
Congratulations to Belinda on being named our Second Placed winner!
Follow in Belinda’s footsteps and enter in our current main international contest, the Spring 2017 Screenwriting Competition RIGHT HERE – Second Place now wins $300 in cash!
by John | Apr 10, 2017 | Our Winners, Results, Updates, WMC, WMC-Archive, WriteMovies News
Elliott-Riebman-and-Michael-Gozzard, the WriteMovies Winter 2016 screenwriting contest are the 3rd placed winners for their script IN THE SHADOW OF FREEDOM.
Elliott Riebman and Michael Gozzard, the WriteMovies Winter 2016 screenwriting competition Third Placed Winners, came out on top for their script IN THE SHADOW OF FREEDOM. A very intriguing and intelligent script and one deserving of this acclaim. We are delighted to be able to bring you more information about Elliott, Michael and their winning script. (more…)
by John | Mar 31, 2017 | Our Winners, Results, Updates, WMC, WriteMovies News
The results are in… Here are the Winter 2016 International Screenwriting Contest Winners, Runners-up and Honorable Mentions! Thanks to all who entered!
First, thanks again to everyone who entered the Winter 2016 contest. It’s been awesome reading through all your scripts and talking with everyone who’s got in touch. Don’t be down if you lost out, this has been our best field of scripts for a long time. If you’d like to know why your script got to the point it did but no further, we’d be delighted to help – order a consultancy and we’ll give you our analysis of your script and its current standing in the market. Meanwhile, you can come back stronger and take a new shot at our Spring 2017 Contest, as many writers have already done… (more…)
