Blade Runner and AI Technology – Have the creative minds of this 1982 cult classic predicted the realities of our age? This is what WriteMovies founder Dr Alex Ross discusses in his new article “Can the prescience of Blade Runner engender a deeper understanding of our relationship with AI technology?” that’s been recently published in the Institute of Physics, Harvard, The Smithsonian and NASA! (more…)
Major wins for all writers this month with the WGA and AMPTP reaching a tentative deal expected to end the strike, and meeting many of the WGA’s demands! For a breakdown of the deal, see the WGA’s Summary of the 2023 WGA MBA. And thanks to this, we’re resuming pitching and relishing it! (more…)
Due out in May, this fascinating new volume will open up unique insights into how Hollywood invented and evolved its ‘calculated blockbuster’, and its future in the age of streaming. Check out the book’s newly-unveiled cover, including inspiring quotes and testimonials we’ll share below! Just another example of the value we at WriteMovies bring to the industry and to your projects: all our consultancy services can be delivered by Dr Alex Ross directly. Get in touch today!
Consultancy Services by Alex Ross at WriteMovies.com
“This book outlines in extensive and unique detail how studios make money not just on blockbusters, but also eventually from all movies, as Alexander Ross uses his vast experience, inside knowledge, and scholarly expertise to lay out both the successes and the mistakes of the ‘blockbuster era.’ I highly recommend it to scholars in film studies and business, film school students working toward a career in the film industry, and budding film producers and studio executives.”
– Hal Lieberman, Former Head of Production at Universal Pictures
“This book provides an original and welcome contribution to the literature about Hollywood. Building on his ears of experience in the film industry, insights from prominent industry actors, and rigorous research, Alexander Ross offers a compelling account of the risk of the modern blockbuster business model through details case studies of seminal movies, and of its viability in the streaming video-on-demand age. A valuable read for cinema students, scholars, and professionals.”
– Allègre Hadida, Universty of Cambridge
“In these case studies, Ross debunks many myths built up about them. His case studies demonstrate the relentless attention of studio executives to the possibilities of generating revenue. This book captures this practice and, in so doing, provides a valuable contribution to the hard-nosed worldview of Hollywood.”
– John Sedgwick, Oxford Brookes University
In this book, Alexander Ross highlights how creative entrepreneurs saved the Hollywood studios in the 1970s by establishing the calculated blockbuster, consisting of key replicable markers of success, as Hollywood’s preeminent business model. Ross demonstrates how visionary individuals such as Coppola, Spielberg, Lucas, and Zemeckis helped create the modern, calculated blockbuster business model (BBM). However, with the rise of streaming giants and the studios struggling to compete, many consumers of entertainment now elect to partake from the comfort of their homes, making the difference between “cinema” and “television” anachronistic. Revisiting the history of those 1970s blockbusters and their ongoing impact on contemporary filmmaking, Ross offers distinct analysis on whether the calculated blockbuster can continue to lead, or if the streamers will continue to generate their own content and, eventually, fully control the dissemination process. For scholars and students in film, pop culture, and business along with aspiring filmmakers, screenwriters, producers, and executives, the book will be a valued resource.
Dr. Alex Ross says: “Value your time, always run a new script idea by an industry pro first. I have 20+ years of experience in the film industry. I work with all the studios and major agencies. Several of my clients have received Academy Nominations.
At whatever stage of writing you are, just let me know what you need. No one reads a rewrite. My feedback will optimize your script…”
Blockbusted is a new book charting the evolution of Hollywood’s calculated blockbuster, and will be released in the coming months – but the book has already been recognized and acclaimed by leading industry professionals. It’s even challenging the industry’s long-held assumptions, as you can see below. Check out these first endorsements – just the start of the industry acclaim for Blockbusted we’ll be updating you with over the coming months. Get the input of the book’s author Dr. Alex Ross into your own project at here – or email us at info@writemovies.com to get the ball rolling!
“This book outlines in extensive and unique detail how studios make money not just on blockbusters, but also eventually from all movies, as Alexander Ross uses his vast experience, inside knowledge, and scholarly expertise to lay out both the successes and the mistakes of the ‘blockbuster era.’ I highly recommend it to scholars in film studies and business, film school students working toward a career in the film industry, and budding film producers and studio executives.”
– Hal Lieberman, Former Head of Production at Universal Pictures
“You are holding a volume which, to my relatively seasoned mind, adds a unique contribution to text-based cinema studies. This book is a persuasive, rigorously researched study of the evolution of the contemporary Hollywood blockbuster. It lays down a parallel track which posits an apparently astonishing argument, flagrantly challenging a long-held bit of supposed critical wisdom – William Goldman’s oft-quoted dictum that “nobody knows anything.” Indeed, Alexander Ross maintains that certain players inside The Dream Factory’s upper echelon of studio chiefs, producers, and mega-agents are not only intelligent, sophisticated mavens, they actually know what they’re doing.”
– Paul Sammon, film industry professional and author