Focus On: Studio Coverages
Our Studio Coverages are the kind of verdict your script would currently get from the analysts at major studios and gives you the opportunity to get professional feedback on your script before you send it out.
Example Studio Coverage: WEDDING CRASHERS
“ It is definitely a title that will stand out to audiences…” Extracts from a script report by our trainee Jamie White, based on a reading of the script WEDDING CRASHERS found on The Daily Script website: CLICK HERE (more…)
Example Studio Coverage: ALIEN
“The reversal towards the end, when Ripley believes she has killed the alien, is very effective as it is extremely close to the end of the script… ” Extracts from a script report by our trainee Jamie White, based on a reading of the script ALIEN found online at Horrorlair: CLICK HERE (more…)
Example Studio Coverage: PHONE BOOTH
“The story manages to take a very mundane, everyday task of using a phone booth, and turn it into a uniquely dramatic and tense situation…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script PHONE BOOTH: CLICK HERE to read the script online from The Daily Script.
Example Studio Coverage: BURIED
“There is tragic irony running throughout the script, with Paul being buried in a coffin and gradually being forced to accept that his life is over…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script BURIED: CLICK HERE to read the script!
Example Studio Coverage: THE BREAKFAST CLUB
“Although the story is geared largely towards a teen audience, there is a timeless appeal to the themes it deals with. The script touches on bold stereotypes, not only in high school, but in society at large, giving it a wider range of audience appeal…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script THE BREAKFAST CLUB: CLICK HERE (more…)
Example Studio Coverage: THE 25TH HOUR
“The plethora of flashbacks that are added are beautifully incorporated into the flow of the dialogue and they always add up to the background of the story…” Extracts from a script report by our trainee Eirini Papadaki, based on a reading of the script THE 25TH HOUR: CLICK HERE (more…)
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