by John | Aug 2, 2019 | Updates
When we announced our Quarter-Finalists, we said at the time that the bar had never been higher. The same is certainly true for our Semi-Finalists; what an amazing bunch of scripts! Congratulations to everyone who has made it through to this stage of the competition!
The standard here was so good, we had an incredibly tough time choosing which scripts were going to make it through to the next round. With so many fantastic stories to pick from, you’ve never made our jobs so difficult – or so enjoyable!
When judging scripts, we keep a lot of different things in mind. The uniqueness of the concept, the quality of the writing, the structure and execution of the story. But we’re also looking at potential; with a year of free script development as a prize for our top three, we’re looking for scripts that can go even further and be taken to another level.
If your script didn’t make it through this time, it’s hard not to feel disappointed – but you should remember just how tough the competition has been . Even making the Quarter-Finals of our Spring 2019 Screenwriting Contest was an achievement, so well done!
As ever, if you’re not certain why we haven’t put your script through to the Semi-Finals, we’d recommend that you buy one of our Script Report services. That way you can get professional standard feedback on your work – and get free entry to our next competition, the Fall 2019 Screenwriting Contest which is now open for submissions!
And so, here we announce a group of scripts that we couldn’t be more proud of. Ladies and gentlemen, here are the WriteMovies Spring 2019 Screenwriting Contest Semi-Finalists!
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Semi-Finalists |
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BISCAYNE, Adam Hersh |
THE ENCHANTED OPAL, Alan Smith |
CARAVAGGIO, Alasdair McMullan |
TORONTO THE GOOD, Andrew Moodie |
GLEIS DER VERGELTUNG, Astrid Korten |
LADY IN RED, Astrid Korten |
DIE TRANE, Astrid Korten |
MADE IN AMERICA, Rikki Rivera |
STARRING… JOHN DILLINGER, Bill Walker & Brian Anthony |
RACE MUSIC, Eric Weber & Hasan Oracius |
ITER APOCALYPSE, Jean-Francois Oviode |
A CHANGE OF PLANS, Jeffrey Ward |
UN CRIME PLUS QUE PARFAIT, Joel Prost |
KID SOLDIER, Kelly Karam |
LENA’S RULES, Ken Comer |
PLANET SPARTA, Link Miller |
THE TIME-TRAP, Mark Flood |
THE REVOLT OF THE WHALES, Michael Rhodes |
VOYAGE DANS L’HISTOIRE, Nanny Silvestre |
CINQUIEME ETAGE, Natacha Astuto |
THE SAX, Pascal Kulcsar |
SHIRO, Pascal Kulcsar |
SURGEON HONG, Paul Gross |
OUTCAST, Sarah Bellwood |
FRESH START, INC., Scott Taylor |
THE CHEESE DANCE FILM FESTIVAL, Steven Bednar |
A TASTE OF PRIVILEGE, Steven Bednar |
APOCALYPSE, Tyler True |
LOVE IS EVERYTHING, Tyler True |
DER LETZTE BUS, Urs Aebersold |
Finalists and Winners are due to be announced on August 16th – watch this space!
by John | Jul 28, 2019 | Horror Award, Movie Reviews and TV Reviews
We’re celebrating our new Horror Award with a series of articles about our favorite films and TV shows in horror. Find out what scares us the most… and what we’re looking for from a horror film! First up: THE WITCH…
(more…)
by John | Jul 22, 2019 | WMC
As WriteMovies entered its 20th year, we decided that we wanted to reward writers by creating awards that celebrated different genres. We’re very pleased to announce that the second of those awards is now open for submissions: the WriteMovies Horror Award 2019!
After the huge success of our Sci-Fi and Fantasy Award, we couldn’t be more excited to see what you’ve got for us next. We’re certain you’ll show the same inventiveness, passion, and storytelling talent that we saw last time – except that this time, you’ll need to be a lot scarier!
The winner of the WriteMovies Horror Award 2019 will receive:
- Guaranteed pitching to industry
- Two sets of Development Notes to help take their script to the next level
- Further advice to fine tune their script from our experts
Plus, ALL entries to this award will automatically get FREE entry to the WriteMovies Fall 2019 Screenwriting Contest, with the chance to take home the Grand Prize of $2000 – so if you’ve got a horror script and were thinking of entering our main contest anyway, you’ve nothing to lose.
Horror is a genre where a lot of great filmmakers have started out and made their name. If you want to join them, this could be your chance! Make sure you enter by the final deadline of September 29th.
Scare us with your stories. Come up with concepts and creatures that will chill us to the bone. And once you’ve put it all down on paper and finished writing your script…
Submit to the WriteMovies Horror Award 2019! Click here to visit the main contest page and find out more!
by John | Jul 19, 2019 | WMC, WriteMovies News
It’s a big day for us here at WriteMovies as we announce the Quarter-Finalists from our Spring 2019 Screenwriting Contest – and what an amazing group of scripts this has turned out to be!
The bar continues to rise for us with each competition. The response to this contest has been genuinely fantastic, with people submitting right up to the final deadline – and many more taking advantage of our one-week extension!
It’s hard to think of a time when the standard has been higher. We’ve had screenplays from all kinds of genres, ranging from serious drama to children’s animation, from horror to comedy to romance and everything in between!
And of course, fuelled by our inaugural Sci-Fi and Fantasy competition – with every submission also receiving free entry to the Spring 2019 Contest – we’ve not only been taken to countless new worlds, but we’ve had even more high quality scripts to judge than ever before!
If you’re disappointed that you haven’t made it onto our list of Quarter-Finalists, just keep in mind how tough the competition was this time. And don’t give up! If you want to go further but aren’t sure how, we’d recommend making use of one of our Script Report services to get the feedback you need that will take your script to the next level.
You’ll also get free entry to our next major Screenwriting Contest when you buy a Script Report: the Fall 2019 Screenwriting Contest is already open for submissions. Click here to find out more!
But for now, well done to all of our Quarter-Finalists, and keep an eye out for Semi-Finals on August 2nd. Hit the button below to find out who made the Quarter-Finals!
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Quarter-Finalists |
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BISCAYNE, Adam Hersh |
THE ENCHANTED OPAL, Alan Smith |
CARAVAGGIO, Alasdair McMullan |
TORONTO THE GOOD, Andrew Moodie |
SURVIVAL, Anne Raitt |
EPSILON, Anthony Etherington |
GLEIS DER VERGELTUNG, Astrid Korten |
LADY IN RED, Astrid Korten |
DIE TRANE, Astrid Korten |
MADE IN AMERICA, Rikki Rivera |
STARRING… JOHN DILLINGER, Bill Walker & Brian Anthony |
DON’T TELL A SOUL, Dan Stone |
MARS GENESIS, Don Ternyila |
THREE DAYS, Emilio Santin |
APEX VANISHED, Eric Barcley |
RACE MUSIC, Eric Weber & Hasan Oracius |
THE CRAWL UP, Gabriell DeBear Paye |
OMEGA POINT, James Bingham |
FABLE OF THE JADE TIGER, Jason Fisher |
IN THE GAME, Jason Fisher |
ITER APOCALYPSE, Jean-Francois Oviode |
A CHANGE OF PLANS, Jeffrey Ward |
MONSTER, Jennifer Carta |
UN CRIME PLUS QUE PARFAIT, Joel Prost |
CHANNEL THIRD, Jonathan Murnane |
GODLESS SKIES, Joshua David Harris |
SUNSHINE STATE: DUENDE, Kai Thorup |
DOUBLE FF, Karl Mather |
CAROLINE BUXTON’S LIPSTICK POSSE, Kelly Karam |
KID SOLDIER, Kelly Karam |
LENA’S RULES, Ken Comer |
ANCIENT DEMONS, Kushagra Kundra |
PLANET SPARTA, Link Miller |
THE TIME-TRAP, Mark Flood |
ENDANGERED SPECIES, Mark Flood |
PRODOMICA, Matt Lewis |
INCIDENT AT PINEY HOLLOW, Michael Neyland & Susan Neyland |
THE REVOLT OF THE WALES, Michael Rhodes |
VOYAGE DANS L’HISTOIRE, Nanny Silvestre |
CINQUIEME ETAGE, Natacha Astuto |
KATHARINE TO TESLA, FAITHFULLY YOURS, Natalie Paige Bentley |
THE MERMAID, Natalie Paige Bentley |
THE SAX, Pascal Kulcsar |
SHIRO, Pascal Kulcsar |
SURGEON HONG, Paul Gross |
THE LAST PRISON, Richard Geiwitz |
DARWIN RISING, Richard Geiwitz |
TALES FROM MYSTERION: THE HIDDEN ISLAND, Richard Garcia Morgan & Ryan Jaroncyk |
SUPREMACY, Rosalyn Rosen |
HIGHLAND DRIVE, Rosalyn Rosen |
OUTCAST, Sarah Bellwood |
FRESH START, INC., Scott Taylor |
THE CHEESE DANCE FILM FESTIVAL, Steven Bednar |
A TASTE OF PRIVILEGE, Steven Bednar |
HUNT FOR THE LOST SECRET OF EDEN, Tom Zmiarovich |
APOCALYPSE, Tyler True |
LOVE IS EVERYTHING, Tyler True |
DER LETZTE BUS, Urs Aebersold |
THE M&M BOYS, Gino DeMarco |
COYOTE WARRIOR, Roberta Rovner Pieczenik |
Semi-Finalists are due to be announced on August 2nd and Finalists and Winners on August 16th – keep an eye out for those!
by John | Jul 1, 2019 | Writing Insights
If you can’t write dialogue, you can’t make it as a screenwriter. In a medium where it’s all but impossible to show thoughts and feelings, it’s dialogue that drives the plot, demonstrates who the characters are, and makes up most of the word count.
The average novel runs to about 90,000 words. The average screenplay? Just 15,000. That’s 75,000 words of description gone missing, leaving the dialogue to do most of the heavy lifting.
Okay, there are films that have succeeded, against the odds, using only a few spoken words: ALL IS LOST is a great example. But for the most part, knowing how to write dialogue is a key skill for any screenwriter. Here are our tips…
- Give each character a different voice. A lot of scripts have characters that all speak exactly the same way – usually the same way as the writer! But if you make your characters talk in their own unique way, not only is it more realistic but it also gives us a better idea of their personalities.
- Avoid exposition. If the audience needs to know something, find a natural way to get the information across instead of throwing in a conversation that feels contrived. There are no worse words to read in a screenplay than “As you know…” If the character already knows it, why are they being told again?
- Listen to how people actually speak. Record a conversation and pay attention to the rhythm and style of real speech; when you write dialogue, that’s the kind of style you want to replicate, although you can cut out all the “um”s and “erm”s!
- When writing a foreign character, don’t turn them into a cliche. Treat them the same as all your other characters – as real, rounded people! Just because their grasp of English may not be perfect, that doesn’t mean it’s okay to just use a stereotype.
- Don’t overuse parentheticals to describe how a line should be delivered. A screenwriter’s job is to write the screenplay, not to direct the film itself; actors and directors won’t appreciate you trying to control how things are said. A lot of the time it’s unnecessary anyway – unless something is being said ironically, it should be clear from the words themselves how to say the line!
So there you have it – now you should know how to write dialogue in your screenplay, and make it stand out over the competition. But of course, this is just one of the skills you’ll need. There are a great many more things to learn…
If you want more hints and tips on screenwriting, check out our other Writing Insights articles by clicking here!
by John | Jun 24, 2019 | Updates
After a fantastic response to our one week deadline extension, the WriteMovies Spring 2019 Screenwriting Contest has now closed!
A big thank-you to everyone who submitted, both directly to this contest and to the WriteMovies Sci-Fi and Fantasy Award 2019. Judging is already underway, and we’re having a blast reading your scripts.
The first set of results is now just weeks away: the Quarter-Finalists are announced on July 19th, Semi-Finalists on August 2nd, and Finalists and Winners on August 16th.
And if you want to get ahead of the competition, why not buy a script report from us and get free entry to our next contest? Starting from just $89, you can get valuable feedback on your work from our industry experts, helping you take your script to the next level and find out what you need to do to succeed!
Thanks once again from the entire WriteMovies team! And keep an eye out – we’ve got more great things coming your way soon, including new contests and a new award for a different genre…
by John | Jun 9, 2019 | Updates
The WriteMovies Spring 2019 Screenwriting Contest is heating up, with just one week to go until the final deadline on Sunday June 16th!
There’s a host of reasons to submit to this competition – not least of which is the Grand Prize of $2000, which is awarded to the script that comes in first place. Even more valuable, however, is the guaranteed pitching to industry and the year of free script development given to the top three scripts.
Any great writer knows that writing is rewriting. With help and advice from our industry experts, our winners can expect to see their script go from strength to strength. We’ll assess your work on elements such as concept, structure, characters, and more.
WriteMovies is able to add a massive amount of value to any script, no matter how far along it is. Don’t forget that you can get our help on your screenplay by buying one of our Script Reports, starting with Judging Feedback from $89 up to the more comprehensive Development Notes at $149.
And once our winners scripts are in the best possible shape – that’s when we start taking them out into the world and pitching them to the industry! Don’t miss out on your chance to win these great prizes and start your screenwriting journey with WriteMovies.
Make sure you submit to our Spring 2019 Screenwriting Contest by the final deadline this Sunday, June 16th by clicking here!