WriteMovies Oscars Nominees Reaction: Original Screenplay – The Original Screenplay category is where we have a couple of big hitters come into play… GET OUT and THE SHAPE OF WATER will be the big favorites for this category – and rightly so. Both are outstanding pieces that deserve some recognition in this category.
But let’s not forget the other three. THE BIG SICK, LADY BIRD, and THREE BILLBOARDS are all strong in their own right, and LADY BIRD in particular could challenge the big two in this category.
What is particularly interesting in this category is that THE BIG SICK is the only film that does not have its writer(s) also directing, while Jordan Peele, Guillermo del Toro, and Greta Gerwig have all received directorial nominations, respectively. This category is so difficult to call – and that’s just great! John and Jamie will try and call it anyway, though…
John: Well, well, well… what a toughie! I don’t think there will be a surprise here, though. I’m going for GET OUT here.
Jamie: As much as I love del Toro, I think GET OUT or LADY BIRD will take this. And because I think del Toro will take Directing, Peele will get this as a “consolation”.
© WriteMovies 2017. Exclusive to WriteMovies – To syndicate this content for your own publication, contact ian (at) writemovies dot-com.
With the full list of Oscars nominees having been revealed this week, it’s time to get excited for the most glamorous awards ceremony in America. THE SHAPE OF WATER leads the way with 13 nominations, while Meryl Streep got her annual nomination for just appearing in a film (this time it’s THE POST), and there were one or two surprises. One of which happened in the screenplay categories. So, let’s take a look, shall we?
Adapted Screenplay Nominees:
CALL ME BY YOUR NAME, James Ivory
THE DISASTER ARTIST, Scott Neustadter & Michael H. Weber
LOGAN, Scott Frank & James Mangold and Michael Green
MOLLY’S GAME, Aaron Sorkin
MUDBOUND, Virgil Williams and Dee Rees
The Adapted Screenplay category is one of the most debatable categories considering the projects excluded. It feels strange to not have further biopics included in this category – THE DARKEST HOUR immediately springs to mind as one noticeable exclusion. But this category has one nomination that will spark some conversation…
The category is fairly… understated really. All excellent films, but this category doesn’t have the same stand out picks as others do. Still, some interesting inclusions. Most notably, LOGAN. This is the FIRST superhero film (that we can think of) that has been nominated in the Adapted Screenplay category. THE INCREDIBLES got a nod for Original Screenplay, making LOGAN only the second superhero film to EVER get an Oscar screenplay nomination.
The rest of the category isn’t as “standout” because of that, but some noticeable inclusions of THE DISASTER ARTIST and MOLLY’S GAME add some meat to the bones. CALL ME BY YOUR NAME and MUDBOUND are perhaps lesser-known to wider audiences, but the latter should definitely not be discounted considering it’s WWII setting and juxtaposition of white and black veterans; with GET OUT a strong contender this year, do not count MUDBOUND out!
John: I think considering the hype of GET OUT, and the racial tensions and relations in this country, MUDBOUND could be the winner here.
Jamie: I would love it if LOGAN won and set the new precedent for superhero/comic book films. It’s not even a superhero film really! Saying that… I think THE DISASTER ARTIST may take its token award in this category…
Watch out for our thoughts and reaction to the Original Screenplay nominations coming Monday…
Check out the full Oscars nominees list here: http://variety.com/2018/film/news/list-2018-oscar-nominations-1202668757/