Select Page
Facebooktwittergoogle_plusredditpinterestlinkedinmail

We are delighted to announce the Quarter-Finalists for our Spring 2018 Screenwriting Contest! And even more importantly, our next two winners…

 

ScreenplayThere have been a lot of great scripts for us to read for this contest, especially with our extended late entry running into June! The competition has been especially fierce, and we’ve enjoyed judging all the scripts we were sent.

So congratulations to our Spring 2018 Quarter-Finalists! Each script here deservedly advances in the contest. We’ll be giving every last one of them a fresh read as we consider which ones will make the Semi-Finals…

With so much competition this time around, a number of promising writers have unfortunately missed out – so don’t feel down if you’re one of them. A lot of the scripts that didn’t make it were strong contenders with a lot of positive features.

If you’d like to know why your script placed where it did, and how to take it to the next level, commission a Script Report from us to get a professional analyst’s opinion on what’s currently working and what’s holding it back. We provide large numbers of studio-quality Script Reports for writers and producers every year – and as an added bonus, you’ll get free entry into our next main contest!

Alternatively, check out our Elite Mentoring service: invaluable one-to-one advice from actual Hollywood producers and studio execs!

See the full list of Quarter-Finalists below… but first, here are the winners of Best Book and Best Stageplay!

BEST BOOK: BLUT WIRD FLIEßEN, by Urs Aebersold

BEST STAGEPLAY: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard

Hearty congratulations to them and everyone else who is still in the running for our other prizes! We’ll be in touch with them soon about their winnings…

Quarter-Finalists
BLUT WIRD FLIEßEN, Urs AebersoldREMOTELY WORKING, William BaberNICKERBACHER, Terry Barto
THE DAWN OF EVE, James BinghamHOPE IS NOT A BLACK AND WHITE RAINBOW, Harold L. BrownROLL WITH IT, Rosie Byrnes
PARDON MY GENDER: SUCH A FARCE!, Bob CanningLOVERS IN PARIS, Andy ConwayUNE CHANCE POUR GUÉRIR, Christine de Chauvelin
LES NIOCKS, Edith DevilletTHE GOOD CITIZEN, Joel DotyRELENTLESS, Jay Fisher
OPERATION BORTHER SAM, Gustavo FreitasTHE LAST KING OF AMERICA, Richard GuimondBIG BALLS aka FUTUREBALL, Richard Guimond
ON THE SPARROW, RW HahnSHOOTING ANGELS, RW HahnRACE, Justin Jackson
THE HAPPY PLACE, Justin JacksonTHE BROKEN CYPHER, Justin JacksonSOUL OF AN EMPIRE, Ryan Jaroncyk
VIVA – A COLDPLAY MUSICAL, Ines JimenezHOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr.CHILDREN OF EDEN, Raymond A. Just
THE SAX, Pascal KulcsarCHARMER, David KurtzTHE HEART OF A TIGER, SreyRam Kuy (book and screenplay)
MANHATTAN MARILYN, Philippe Laguerre (book and screenplay)THE UNDERTAKER’S CHILDREN, Natasha Le PetitINSPIRED, David Lawrence Lynch
HOBBY AND FITZ, James MiltonWHEN I WAS A CHILD, T. L. NeedhamWINDSPIRIT, Paul Penley
THE SHADOW OF DHARMA, Mark PerlickTHE ARIZONA BALLOON BUSTER, Mark Perlick and Steven PrippsTHE MYTHICAL GOLDEN TROUT, Craig Peters
MAUDITE ÉQUATION, Joel ProstWHATEVER IT TAKES, Robin RegensburgTHE LAST JOURNEY OF NOAH, Mark Rigoglioso
PERISH, Mike RogersIMMORTALIZING RAYMOND, James RosenfieldFIRE ON THE ISLAND, Timothy Smith
DESERT RUN, Christopher ThomasTHE LOST OPERA, Rachel, Thomas-MedwidTHE ELECTRIC WAR, Arthur Tiersky
THE CRACK IN PEGGY SUE’S FLOOR, John WoodardKLONDIKE MIKE, Thomas Zmiarovich
Facebooktwittergoogle_plusredditpinterestlinkedinmail