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Spring 2018 Screenwriting Contest – Quarter Finalists, Book and Stageplay WINNERS!

Spring 2018 Screenwriting Contest – Quarter Finalists, Book and Stageplay WINNERS!

We are delighted to announce the Quarter-Finalists for our Spring 2018 Screenwriting Contest! And even more importantly, our next two winners…

 

ScreenplayThere have been a lot of great scripts for us to read for this contest, especially with our extended late entry running into June! The competition has been especially fierce, and we’ve enjoyed judging all the scripts we were sent.

So congratulations to our Spring 2018 Quarter-Finalists! Each script here deservedly advances in the contest. We’ll be giving every last one of them a fresh read as we consider which ones will make the Semi-Finals…

With so much competition this time around, a number of promising writers have unfortunately missed out – so don’t feel down if you’re one of them. A lot of the scripts that didn’t make it were strong contenders with a lot of positive features.

If you’d like to know why your script placed where it did, and how to take it to the next level, commission a Script Report from us to get a professional analyst’s opinion on what’s currently working and what’s holding it back. We provide large numbers of studio-quality Script Reports for writers and producers every year – and as an added bonus, you’ll get free entry into our next main contest!

Alternatively, check out our Elite Mentoring service: invaluable one-to-one advice from actual Hollywood producers and studio execs!

See the full list of Quarter-Finalists below… but first, here are the winners of Best Book and Best Stageplay!

BEST BOOK: BLUT WIRD FLIEßEN, by Urs Aebersold

BEST STAGEPLAY: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard

Hearty congratulations to them and everyone else who is still in the running for our other prizes! We’ll be in touch with them soon about their winnings…

Quarter-Finalists
BLUT WIRD FLIEßEN, Urs Aebersold REMOTELY WORKING, William Baber NICKERBACHER, Terry Barto
THE DAWN OF EVE, James Bingham HOPE IS NOT A BLACK AND WHITE RAINBOW, Harold L. Brown ROLL WITH IT, Rosie Byrnes
PARDON MY GENDER: SUCH A FARCE!, Bob Canning LOVERS IN PARIS, Andy Conway UNE CHANCE POUR GUÉRIR, Christine de Chauvelin
LES NIOCKS, Edith Devillet THE GOOD CITIZEN, Joel Doty RELENTLESS, Jay Fisher
OPERATION BORTHER SAM, Gustavo Freitas THE LAST KING OF AMERICA, Richard Guimond BIG BALLS aka FUTUREBALL, Richard Guimond
ON THE SPARROW, RW Hahn SHOOTING ANGELS, RW Hahn RACE, Justin Jackson
THE HAPPY PLACE, Justin Jackson THE BROKEN CYPHER, Justin Jackson SOUL OF AN EMPIRE, Ryan Jaroncyk
VIVA – A COLDPLAY MUSICAL, Ines Jimenez HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr. CHILDREN OF EDEN, Raymond A. Just
THE SAX, Pascal Kulcsar CHARMER, David Kurtz THE HEART OF A TIGER, SreyRam Kuy (book and screenplay)
MANHATTAN MARILYN, Philippe Laguerre (book and screenplay) THE UNDERTAKER’S CHILDREN, Natasha Le Petit INSPIRED, David Lawrence Lynch
HOBBY AND FITZ, James Milton WHEN I WAS A CHILD, T. L. Needham WINDSPIRIT, Paul Penley
THE SHADOW OF DHARMA, Mark Perlick THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps THE MYTHICAL GOLDEN TROUT, Craig Peters
MAUDITE ÉQUATION, Joel Prost WHATEVER IT TAKES, Robin Regensburg THE LAST JOURNEY OF NOAH, Mark Rigoglioso
PERISH, Mike Rogers IMMORTALIZING RAYMOND, James Rosenfield FIRE ON THE ISLAND, Timothy Smith
DESERT RUN, Christopher Thomas THE LOST OPERA, Rachel, Thomas-Medwid THE ELECTRIC WAR, Arthur Tiersky
THE CRACK IN PEGGY SUE’S FLOOR, John Woodard KLONDIKE MIKE, Thomas Zmiarovich
Winter 2018 Screenwriting Contest Winners Revealed!

Winter 2018 Screenwriting Contest Winners Revealed!

The results are in… Winter 2018 Screenwriting Contest winners are revealed below!

Another contest complete, another group of winners revealed. We’ve seen the growth and improvement in many writers who have submitted – something that is reflected by the results! Thank you to all of you who entered for making our jobs of judging the scripts enjoyable.

We strongly encourage you to take advantage of our script consultancies to find out why your script placed where it did. Our top 3 now get those for free for the next year!

Here’s what our Top 3 win…

  • Cash prize of $2000 for our Grand Prize Winner
  • The 3 winners will receive one year free of script development and mentoring.
  • We’ll also pitch and promote the scripts to the top of the film industry. Remind yourself what makes for winning writing HERE.
  • Plus, exclusive prizes from InkTip – an InkTip Script Listing and the winning scripts’ loglines will be featured in InkTip’s Magazine, read by thousands of writers and producers.

CONGRATULATIONS to SLAVE SHIP by Tyler True for winning the Winter 2018 Screenwriting Competition!

A great win for Tyler for this excellent script about harrowing history and inspirational change. Tyler now takes home those wonderful prizes listed above. But we must also congratulate…

Second Placed Winner, CHARMER by David Kurtz – David has improved on his Third Placed finish in our Summer contest and was so close to taking home the main prize! Good job, David!

Third Placed Winner, INSURRECTION by Simon Bowler. Another win for Simon following on from his “Best Teleplay” win – another script that has continued to improve over multiple submissions!

And, of course, a special congrats to our Honorable Mentions: NEW REALITY by Carolyn Kras, MAGIC MAN by Norma Hickox, THE CRAWL-UP by Gabriell DeBear Paye, VALENTYNE by Dashiell Finley, THE DAWN OF EVE by James Bingham, A Shadow in Space by Bryan Reilly, and THE FOURTH COURIER by TIMOTHY JAY SMITH.

A very well done to everyone named here and the many other impressive scripts we read this time round. It’s been a tough field to choose from!

We’ll be telling you all about our winners in the coming weeks, and getting their script development phase underway.

Head to our Facebook page and our Twitter feed to congratulate our top three winners and Honorable Mentions yourself!

Winter 2018 Contest “Best Teleplay or Pilot” Winner

Winter 2018 Contest “Best Teleplay or Pilot” Winner

Huge congratulations to our Best Teleplay award winner, INSURRECTION by Simon Bowler! That’s two TV awards in two contests for Simon!

Simon now receives free Development Notes to help make his pilot breakthrough. With on-demand bringing the best shows into our homes whenever we want them, the appetite for scripted TV shows is massive and so are the range of new ways to get them made.

Our second placed television entry is SHAKESPEARE OF AVON by James Hanson! For finishing in second place, James will also gain free Development Notes on his pilot. We think there’s some great potential in these two teleplays and we’re looking forward to setting them on the path to success…

Winter 2018 Contest “Book with the Best Screen Potential” Winner

Winter 2018 Contest “Book with the Best Screen Potential” Winner

The book with the best screen potential is… A SHADOW IN SPACE by Bryan Reilly! We’re delighted to announce Bryan as just the second ever winner of this special award and we can’t wait for Bryan to claim his prize! Bryan now receives FREE Development Notes to help him adapt his book to a screenplay, or we’ll help him find a screenwriter who can. This could be an exciting breakthrough for Bryan!

Oh, but there’s more… In second place is THE LOCKSMITH by Jeffrey Ryan Morales– congrats Jeffrey! We will also be providing Jeffrey free Development Notes to guide him in the process of adapting his book to a screenplay.

Hopefully, this is the first chapter of many for these two talented writers!

Winter 2018 Screenwriting Contest Winners Revealed!

Winter 2018 Screenwriting Contest – Semi-Finalists

We are delighted to announce the Semi-Finalists for our Winter 2018 Screenwriting Contest.

We are delighted to announce the 26 Semi-Finalists for the Winter 2018 Screenwriting Competition! Selecting the scripts with the strongest claim to join our winners has made for a tough but enjoyable task for us the past couple of weeks.

Check out the full list of 26 Semi-Finalists below.

Head on over to our Facebook page and our Twitter feed to congratulate the Semi-Finalists yourselves!

The final results will be announced in two weeks’ time – Friday, March, 16th.

At this time, we try to only include scripts that we’re still considering as a potential winner. Having made the Quarter-Finalists shows that a script or writer already has some clear potential, and a Semi-Final place means that with more development this script could become a contender. Keep that in mind as you think about what to do with your script next. These results should give you a good guide to the current state of your idea, writing and script.

Next, we refocus our attention to the book and television entries as we wind up to next week’s TV and book awards announcement!

Here are the Winter 2018 Screenwriting Contest Semi-Finalists…

Semi-Finalists
THE DAWN OF EVE, James Bingham TO DIE IN TAJOUTE, Virginia Bola INSURRECTION, Simon Bowler
THE OUTSKIRTS OF PARADISE, Montgomery Burt WHEN THE WHITE DOVE SPEAKS, Al Case VALENTYNE, Dashiell Finley
ENDANGERED SPECIES, Mark Flood SHAKESPEARE OF AVON, James Hanson MAGIC MAN, Norma Hickox
BLACK SHEEP, John Hunter WHEN WE FALL BEHIND, Dan Hutchinson NEW REALITY, Carolyn Kras
CHARMER, David Kurtz THE LOCKSMITH, Jeffrey Morales BAD DOG, Phil Olsen
THE CRAWL UP, Gabriell DeBear Paye A SHADOW IN SPACE, Bryan Reilly SAVIOR, Bo Sanders
STAR BLUE SOLDIER, Donahue Silvia THE FOURTH COURIER, Timothy Jay Smith THE FIRSTBORN, William Smith
SLAVE SHIP, Tyler True LAST PRINCE OF WALES, Ethan Westgate COLD FOOTED, Tanya M. Wheeler
THE REALM, Tanya M. Wheeler LEGACY OF THE GODS, Tim Wong
Winter 2018 Screenwriting Contest Winners Revealed!

Winter 2018 Screenwriting Contest – Quarter Finalists

We are delighted to announce the Quarter-Finalists for our Winter 2018 Screenwriting Contest.

 

Since that Bonus Extension in January, we have had a lot of interesting and high-quality scripts to get through – but it’s been another great judging period!

Congratulations to the 51 Winter 2018 Quarter-Finalists! All of them had some special spark that caught our eye and we’re looking forward to giving them new eyes as we consider our Semi-Finalists and winners…

Those who didn’t make it this time were an equally fascinating set of submissions too, and showed a lot of promising qualities. We hope that you will stay in touch with us: we’re currently confirming details for our next contest and will keep you informed.

If you want to know why your script didn’t make it, or where to take it next? Has a revised edition of your script come out short yet again? We recommend that you consider getting a mentoring service or consultancy, too. That way you can find out what we currently feel is holding your script back. And as a sweet bonus, you’ll get free entry into our next main contest!

See the full list of Quarter-Finalists below…

Congratulate the Quarter-Finalists on our Facebook page and our Twitter feed.

Quarter-Finalists
STRANDED, Christopher Andre STEVE DEUCE, Justin Andreas BUSHIDO BASEBALL, Charles R. Astone
MEGABALL$, Marc Baron THE DAWN OF EVE, James Bingham TO DIE IN TAJOUTE, Virginia Bola
INSURRECTION, Simon Bowler THE OUTSKIRTS OF PARADISE, Montgomery Burt WHEN THE WHITE DOVE SPEAKS, Al Case
ADIONA, Ian Causer DEAD MAN’S HEAD, Ronald Ecker ICE CREAM DON’T MELT IN ENGLEWOOD, Richard Ehrenreich
VALENTYNE, Dashiell Finley ENDANGERED SPECIES, Mark Flood THE OATH, Axel Gerand
SHAKESPEARE OF AVON, James Hanson MAGIC MAN, Norma Hickox BLACK SHEEP, John Hunter
WHEN WE FALL BEHIND, Dan Hutchinson BOMMY!, Boim Hwang A SECOND CHANCE, Manny Jimenez Sr.
MATANZAS, Piotr Kaszuba NEW REALITY, Carolyn Kras CHARMER, David Kurtz
TALK THERAPY, Thomas Moore THE LOCKSMITH, Jeffrey Morales PROJECT ΩMEGA, P. James Norris
BAD DOG, Phil Olsen TREE HOUSE, Chris Ossman FINDING ATLANTIS, Katherine Panzella
AMERICAN REBEL, Sydney Parran THE CRAWL UP, Gabriell DeBear Paye GATEKEEPERS TO THE STARS, Thelma Pickett
A SHADOW IN SPACE, Bryan Reilly 2020AD, Mike Rogers SAVIOR, Jerome Sanders
STAR BLUE SOLDIER, Donahue Silvia THE FOURTH COURIER, Timothy Jay Smith THE FIRSTBORN, William Smith
TIMBER, Patricia Stevens, Marian Mathews Clark CUL DE SAC, Charles Stock SOMETHING WICKED THIS WAY COMES, Charles Stock
SLAVE SHIP, Tyler True THE VENUS SYNDROME, Lynee Vincentnathan LAST PRINCE OF WALES, Ethan Westgate
COLD FOOTED, Tanya M. Wheeler THE REALM, Tanya M. Wheeler ISOLATION, Brian Whiteman
LEGACY OF THE GODS, Tim Wong DISRUPTED, Meredith Wood AMERICAN MYTHS OF BLACK & WHITE, Aaron Yarber
Meet Our Summer 2017 Screenwriting Contest Grand Prize Winner: SPOON FED by Scott LaFortune

Meet Our Summer 2017 Screenwriting Contest Grand Prize Winner: SPOON FED by Scott LaFortune

Meet Our Summer 2017 Screenwriting Contest Grand Prize Winner: SPOON FED by Scott LaFortune

Scott did anything but spoon feed our judges and readers with his winning script, and as our Grand Prize Winner, he wins a year of free script development, guaranteed pitching to industry and exclusive script and logline listings via InkTip’s script directory and increasingly popular magazine – oh, and the Grand Prize of $2000!

It’s always heart-warming to see a winner so happy after a win, and boy was Scott happy. Check out his initial reactions here…

“I’m too nervous and excited to even type right now!
I’ll respond more after I run around in circles, yelling hooray hooray…”
Later that day…
“Many thanks again for this opportunity!  First Place is still sinking in…
I first entered a WriteMovies competition in August, 2008.  Seriously, a humbling journey-
And what a wonderful life experience, that screenwriting has been!
Thanks John, you guys are the best.”

Here’s a short bio on Scott LaFortune, our Summer 2017 Contest Grand Prize Winner:

“Originally from Minneapolis, Scott currently lives and writes on historic Main Street in Park City, Utah.

He also changes lots of diapers, searches incessantly for stray sippy-cups, and can’t believe how many Lego’s can fit into a standard garbage disposal.

In his spare time Scott’s a research chemist and microbiologist, with a devoted passion for story, cynicism, science, and social commentary.”

Here’s Scott’s logline for SPOON FED:

“A feisty feminist with a sweet-tooth is hired to curb the obesity crisis, then battles USDA corruption as she brings down a chauvinistic sugar lobby. 

Based on true 1980’s events that led to the global diabesity epidemic.”

Read up on our Second (HERE) and Third Placed (HERE) Winners too, or take your chance to become our next winner with our current screenwriting contest… Will you be our next Screenwriting Contest Grand Prize Winner?

 

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