“Bourne’s identity is not important to him anymore. His initial goal is not accomplished as we still don’t really know who he is, generating potential for a sequel.” – Extracts from a script report by our trainee Adam Yee, based on a reading of THE BOURNE IDENTITY found online at on The Daily Script website: CLICK HERE to read the script.
“This fragmented and non-linear narrative structure creates a sense of reflexivity between the reader and the protagonist…” – Extracts from a script report by our trainee Eirini Papadaki, based on a reading of MEMENTO found online at on The Daily Script website: CLICK HERE to read the script.
“The story manages to take a very mundane, everyday task of using a phone booth, and turn it into a uniquely dramatic and tense situation…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script PHONE BOOTH: CLICK HERE to read the script online from The Daily Script.
“There is tragic irony running throughout the script, with Paul being buried in a coffin and gradually being forced to accept that his life is over…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script BURIED: CLICK HERE to read the script!
By Ian Kennedy, WriteMovies Director of World Wide Development: Genre is so often key to convincing producers, and audiences, to take an interest in your story. Yet at the same time, I hear lots of writers and viewers complaining about formulaic, predictable, derivative stories that lack originality and interest precisely because of their adherence to a genre. So why does genre matter so much, for better and worse? (more…)
“John’s strong unique blend of humor and arrogance makes him an unusual yet memorable action hero…” Extracts from a script report by our trainee Daniela Piper-Vegh, based on a reading of the script DIE HARD: CLICK HERE to read the script. (more…)
An interview with David Cronenberg! You could follow in this magnificent auteur’s footsteps by entering our latest contests RIGHT HERE! A featured article from the WriteMovies archive first published March 2006 by Pam Grady.