Our favorite romance films
To celebrate the release of our forthcoming Romance and Comedy Award 2023 we have put together a small list of our favorite romantic films that we think all writers should watch. (more…)
Oscars 2019: What we learned
Whatever you think about the Oscars, there’s always something to be learned from them. Last night was no exception: there was the usual number of sure-fire wins mixed with a few shocks that leave us scratching our heads. Here’s our take on what happened at the Oscars 2019…
- The big news of the night was the surprise win of GREEN BOOK for Best Picture. This may not have been the most competitive year for this category, but stacked up against films like BLACKKKLANSMAN and ROMA, it’s still not what we expected. Justin Chang of the Los Angeles Times even went so far as to call it “the worse best Picture winner since Crash“. Ouch. But the main thing to take from this? ROMA might have been the favorite on the night (rather than THE FAVOURITE… okay, it’s a bit confusing) but the Academy isn’t ready to give highest honors to a Netflix film just yet. The big studios continue to guard their territory.
- Spike Lee finally has an Oscar, winning Best Adapted Screenplay for BLACKKKLANSMAN. When it comes to films about race, the Oscars have generally favored less hard-edged material than Lee makes, so at first glance, this looks like it could indicate a shift for film’s biggest awards ceremony. However, that’s all kind of cancelled out because…
- The winner for Best Original Screenplay also went to GREEN BOOK, which has come in for a lot of criticism for perpetuating the “white savior” trope and couldn’t be more of an opposite to BLACKKKLANSMAN if it tried. Take a look at that article from Chang and you’ll see why it’s so confusing that the two screenplay awards went to these two films. On the one hand, a film that takes an intense, no-holds barred look at racism – on the other, a film that deals with it through a feel-good story. One thing is clear – Hollywood still hasn’t figured out how it wants to deal with this kind of subject matter.
- Away from the main controversies, superhero stories are starting to gain some traction at awards ceremonies to go with their popular appeal, with BLACK PANTHER picking up three awards and SPIDER-MAN: INTO THE SPIDER-VERSE winning Best Animated Feature. This is where the real money is right now – and it looks like there’s even the possibility of picking up some nice shiny awards to go with it.
- On a similar note, BOHEMIAN RHAPSODY took home four awards. Even though the only big one here was for Rami Malek’s performance as Freddie Mercury, it’s a surprise to see a film that got mixed reviews from critics fare so well at the Oscars. Is the Academy really becoming more democratized to reflect popular opinion? We’ll have to wait and see how next year unfolds…
From a screenwriting perspective, the main thing here is the confusion of seeing two totally contrasting films take home the awards for Best Original Screenplay and Best Adapted Screenplay. Here at WriteMovies, we’ll be keeping a close eye on this, with several of our past winners – such as BLACKOUT.COM by Ruben Bush III dealing with this kind of subject matter.
The Oscars 2019 may not have had the drama of the wrong winner being announced for Best Picture like a couple of years ago, but they’ve certainly given us a lot of food for thought…
Why Hollywood is ready for subtle storytelling at last. Part 2: MANCHESTER BY THE SEA’s complex Protagonist
We delve into what MANCHESTER BY THE SEA storytelling and narrative techniques were implemented to make this film a subtle success. (more…)
Example Studio Consulting: MOONLIGHT Script
An example script consultancy on a reading of MOONLIGHT script, winner of Best Picture and Best Original Screenplay at the 2017 Oscars.
“This screenplay is beautifully written, the central theme elegantly expressed in an almost poetic style…” Extracts from a script report by our trainee Edward Smith, based on a reading of the MOONLIGHT script.
This example report was completed by Edward Smith as part of his internship with us, which has recently been successfully completed.
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!
WRITEMOVIES STORY DEPARTMENT COVERAGE
TITLE: MOONLIGHT LOCALE: Miami, Atlanta
AUTHOR: Barry Jenkins SETTING: Urban U.S.
PERIOD: Present FORM: SP
PRODUCER: N/A BUDGET: Low
SYNOPSIS
This screenplay is divided into three chapters, each focusing on a different stage of the protagonist’s life and titled after the name he is currently using; in the first part, aged twelve, he goes by the name LITTLE. Chased by a gang of bullies, he takes refuge in an abandoned crackhouse, where he is found by the drug dealer, JUAN. Little spends the night with Juan and his girlfriend, TERESA, and starts to become close to them because his own mother, PAULA, is neglectful of him.
When Juan discovers Paula doing drugs, they argue about raising Little, with Paula implying that he is gay. That night, having been confronted by Paula, Little goes to speak to Juan, asking him what the word “faggot” means and whether he is himself gay. Juan reassures him, but is then forced to admit, to his shame, that he is a drug dealer and that he has sold Paula drugs.
In the second chapter, the protagonist, now sixteen-years-old, goes by his real name, CHIRON. In the intervening years, Juan has died and Paula has become even more abusive, but Chiron still regularly visits Teresa. He is now struggling with his attraction to his friend, KEVIN, while also still coping with bullies – particularly his classmate, TERRELL…
COMMENTS:
This screenplay is beautifully written, the central theme elegantly expressed in an almost poetic style. It deals with an oft-overlooked issue, studying what it is like to be a gay black man, charting the struggles the protagonist faces in establishing his own identity in a culture that is hostile to his sexuality; this is dealt with both delicately and realistically thanks to the high quality of the writing…
By portraying three distinct stages of Chiron’s life, we are able to see the intricacies of his situation and better understand how he develops as a character. He is forced to change because of the physical and emotional abuse he suffers, with very few nurturing figures to help him. From being a gentle, vulnerable child, he violently lashes out against his bullies and eventually reinvents himself as a drug dealer to hide who he truly is. In the end, he is only able to come to terms with his sexuality because of Kevin’s influence, bringing him full circle back to his true self after all the challenges he has faced.
Each chapter also has its own, miniature three act structure. For example, the first chapter has an inciting incident when Little meets Juan; the first act sees them become attached to one another, the second develops their relationship, and the third deals with the conversation between them when Little asks about being gay. Similarly, the other two chapters also have a three act structure, allowing each one to stand on its own as an independent story – albeit strengthened and given context by the others.
To see the full industry-standard format we use for Studio Coverage, purchase The Confidential Studio Manual to get the inside track on how the industry will really assess and process your script (CLICK HERE)!