After the less-than-super Summer Box-Office, the power and attraction of superhero films may be declining. Some are suggesting that the expanded universes are on their way out and that stand-alone superhero films are back in (see this article). Jamie White discusses this potential new trend for superheroes… This summer has shown some signs of this.
Category Archives: Movie Reviews
Once a month, Script Pipeline provides us with news on script sales, who’ll be working on what scripts and for who. For the script sales in August, we’ve noticed a certain trend. First of all, interesting news on a political film script – Hyde Park Entertainment has picked up a script that focuses on the
GAME OF THRONES Season Review – Spoiler Free! By Jamie White The latest season of GAME OF THRONES has perhaps been the most divisive amongst fans and critics. Now it’s well past the books, THRONES’ showrunners have had more creative license with the show. It’s arguable if that’s a good thing, though… The 7-episode length
Why Hollywood is ready for subtle storytelling at last. Part 3: The ARRIVAL of a new, subtler wave in cinema?
In the cases of MOONLIGHT and MANCHESTER BY THE SEA, personally I appreciated them more than I enjoyed them! I can see why they were successful and critically acclaimed, but they never fully won me over. I took more of an interest in the film ARRIVAL, a film that applies similar subtlety in its storytelling
Why Hollywood is ready for subtle storytelling at last. Part 2: MANCHESTER BY THE SEA’s complex Protagonist
We delve into what MANCHESTER BY THE SEA storytelling and narrative techniques were implemented to make this film a subtle success. Spoilers alert… this article will discuss the outcomes of the story in order to demonstrate how and why it works. MANCHESTER BY THE SEA tells the story of a withdrawn and passive protagonist, Lee
Why Hollywood is ready for subtle storytelling at last. Part 1: Shedding some MOONLIGHT on subtle characterization and storytelling.
Watching several of the most acclaimed movies of the last year, one thing that really stood out to me was how subtle and low-key they were. MOONLIGHT, MANCHESTER BY THE SEA, and ARRIVAL have a lot of differences, but they’re all more subtle scripts than we’re used to seeing at the cinema. Their success points