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WriteMovies has been helping writers succeed for twenty years. Enter the WriteMovies Spring 2019 Screenwriting Contest to begin your writing journey with us by clicking here!
Video games are a massive market for writers to explore: the recent RED DEAD REDEMPTION 2 made Â£725 million in its first weekend and shipped 17 million copies in two weeks – the largest opening weekend in the history of entertainment! If you want to get into this market as a writer, this article is for you…
Video games might be lucrative, but it’sÂ not always easy to figure out all the terminology means. If you don’t know the difference between an FPS and an RPG, or an emote and a cutscene… Well, you certainly wouldn’t be the first!
That’s whyÂ Generic cialis canada online pharmacy, our Elite Consultant for video game writing, is here to help. Mark has put together a handy guide for anyone who wants to get involved in writing for this new medium that cuts through the confusion and explains what all the terminology means…
Game Genre Terminology
RTS = Real-time Strategy
Normally top down view, often wargaming, but could be running a power station or theme park. Involves managing resources in real time to achieve a goal.
Command and Conquer, Total War series
FPS = First Person Shooter
An extremely popular style of game where the perspective is first person, as if through the eyes of the ingame character. Sometimes nothing of the character is visible, on other occasions hands with weapons are visible and the player can see some of their body when they look down, or press to interact with ingame objects. Shooter refers to the style of the game play – the gaminig is predominantly fighting with ranged weaponry.
Call of Duty, Bioshock, Half-Life
RPG = Role-playing Game
While the FPS is predominantly concerned with fast-paced action, an RPG takes longer to unfold. There are likely to be action sequences, often combat, sometimes challenges such as climbing. The player will gnerally be required to have much more of a relationship with the ingame world than in an FPS. To advance the player will need to talk to NPCs (Non-Player Characters), find and use objects, and solve puzzles to advance. While an FPS often makes the main character invisible, most modern RPGs allow extensive modification of the player’s character to customize it to their own preferences.
Fallout 3, Oblivion, Mass Effect
In a third person game the player can see the character they are playing onscreen. The action is viewed as if from behind the character’s shoulder.
Prince of Persia, Uncharted, Tomb Raider
MMO – Massively Multiplayer Online
An online game that involves many people accessing the same game world at the same time.
World of Warcraft, Guild Wars
A cutscene is a non-interactive section of a game. This is generally used to tell story and to set up the key gameplay points for the next level i.e. Get to that bridge!
A scripted event is an interactive cutscene. Here the player retains control while an event they don’t control such as a building collapsing, a plane flying by, or someone appearing on a balcony takes place.
This is dialogue that happens during the interactive sequences. The player will retain control as they hear pedestrians talking as they walk by, enemy soldiers calling orders, or companions calling warnings.
Emotes are sounds rather than words such as a scream, a grunt, the effort sound of lifting; these are emotes rather than lines.
Player Activated Dialogue
Dialogue which the player triggers themselves by pressing to interact with characters in the game.
As the title infers, this is the character the player controls. There can be numerous player characters in the game and the ‘character’ can lack many of the key things that define a character in other fiction (backstory, personality, etc.)
NPC = Non-Player Character
A non-player character is one that the player does not control. They could be an enemy, an ally, or neutral in terms of their approach to the player character.
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We’ve been hard at work lately having pitching scripts to industry, having pitch meetings with producers and distributors about our many projects! Alex and Ian had a productive meeting at BAFTA recently, discussing the slate and future opportunities. So, what have we been up to? Let’s take a look…
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We are pleased to announce the Semi-Finalists for our Spring 2018 Screenwriting Contest – and the winner of our Best Studio Script, Best Indie Script, and Best Short Script Awards!
After another tough judging period, we’ve decided on the Semi-Finalists for our Spring 2018 Contest – plus three awards in new categories!
The scripts that advanced to the semi-finals impressed us for many reasons, with fantastic stories, well-crafted dialogue, and strong commercial potential – and as ever,Â a lot of great scripts just missed the cut. If yours is one of them, don’t feel downhearted – all of our Quarter-Finalists were impressive entries.
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See the full list of Semi-Finalists below… but first, we’re announcing the best of those movie scripts that aimed themselves firmly at either a HIGH or a LOW budget which we felt could be the most desirable to producers at the budget it set… and, working to a different kind of constraint, we’re also announcing the Best Short Script! Writing a short film demands a particular skill: the ability to tell a complete, poignant story in the space of only a few short minutes – normally less than 15 pages instead of the usual 120.
Next week: we name our top ten and our Overall Winner! Who will take the big prize for the very best entry in our latest major contest?
|Best Studio Script||Best Indie Script||Best Short Script|
|DESERT RUN, by Christopher Thomas!|
With Honorable Mentions to: CHARMER, David Kurtz, and KLONDIKE MIKE, Thomas Zmiarovich.
|FIRE ON THE ISLAND, by Timothy Jay Smith!|
With Honorable Mentions to: LOVERS IN PARIS, Andy Conway, and THE UNDERTAKER’S CHILDREN, Natasha Le Petit.
|ROLL WITH IT, by Rosie Byrnes!|
A big congratulations to the latest winners; we’ll be in touch with them soon about their winnings! Meanwhile, these are all of the other SEMI-FINALISTS who are still in the running for the big one… congratulations to all of them!
|BLUT WIRD FLIEÃEN, Urs Aebersold||REMOTELY WORKING, William Baber||ROLL WITH IT, Rosie Byrnes|
|PARDON MY GENDER: SUCH A FARCE!, Bob Canning||LOVERS IN PARIS, Andy Conway||UNE CHANCE POUR GUÃRIR, Christine de Chauvelin|
|LES NIOCKS, Edith Devillet||THE GOOD CITIZEN, Joel Doty||OPERATION BROTHER SAM, Gustavo Freitas|
|ON THE SPARROW, RW Hahn||THE LAST KING OF AMERICA, Richard Guimond||SOUL OF AN EMPIRE, Ryan Jaroncyk|
|THE SAX, Pascal Kulcsar||HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr.||SHOOTING ANGELS, RW Hahn|
|HOBBY AND FITZ, James Milton||CHARMER, David Kurtz||WINDSPIRIT, Paul Penley|
|MAUDITE ÃQUATION, Joel Prost||THE UNDERTAKER’S CHILDREN, Natasha Le Petit||THE MYTHICAL GOLDEN TROUT, Craig Peters|
|DESERT RUN, Christopher Thomas||WHEN I WAS A CHILD, T. L. Needham||FIRE ON THE ISLAND, Timothy Smith|
|THE LOST OPERA, Rachel, Thomas-Medwid||THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps||THE ELECTRIC WAR, Arthur Tiersky|
|THE CRACK IN PEGGY SUE’S FLOOR, John Woodard||CHILDREN OF EDEN, Raymond Just||KLONDIKE MIKE, Thomas Zmiarovich|
|MANHATTAN MARILYN (book), Philippe Laguerre||MASON, Andrew Marshall|
We are delighted to announce the Quarter-Finalists for our Spring 2018 Screenwriting Contest! And even more importantly, our next two winners…
There have been a lot of great scripts for us to read for this contest, especially with our extended late entry running into June! The competition has been especially fierce, and we’ve enjoyed judging all the scripts we were sent.
So congratulations to our Spring 2018 Quarter-Finalists! Each script here deservedly advances in the contest. We’ll be giving every last one of them a fresh read as we consider which ones will make the Semi-Finals…
With so much competition this time around, a number of promising writers have unfortunately missed out – so don’t feel down if you’re one of them. A lot of the scripts that didn’t make it were strong contenders with a lot of positive features.
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See the full list of Quarter-Finalists below… but first, here are the winners of Best Book and Best Stageplay!
BEST BOOK: BLUT WIRD FLIEÃEN, by Urs Aebersold
BEST STAGEPLAY: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard
Hearty congratulations to them and everyone else who is still in the running for our other prizes! We’ll be in touch with them soon about their winnings…
|BLUT WIRD FLIEÃEN, Urs Aebersold||REMOTELY WORKING, William Baber||NICKERBACHER, Terry Barto|
|THE DAWN OF EVE, James Bingham||HOPE IS NOT A BLACK AND WHITE RAINBOW, Harold L. Brown||ROLL WITH IT, Rosie Byrnes|
|PARDON MY GENDER: SUCH A FARCE!, Bob Canning||LOVERS IN PARIS, Andy Conway||UNE CHANCE POUR GUÃRIR, Christine de Chauvelin|
|LES NIOCKS, Edith Devillet||THE GOOD CITIZEN, Joel Doty||RELENTLESS, Jay Fisher|
|OPERATION BORTHER SAM, Gustavo Freitas||THE LAST KING OF AMERICA, Richard Guimond||BIG BALLS aka FUTUREBALL, Richard Guimond|
|ON THE SPARROW, RW Hahn||SHOOTING ANGELS, RW Hahn||RACE, Justin Jackson|
|THE HAPPY PLACE, Justin Jackson||THE BROKEN CYPHER, Justin Jackson||SOUL OF AN EMPIRE, Ryan Jaroncyk|
|VIVA – A COLDPLAY MUSICAL, Ines Jimenez||HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr.||CHILDREN OF EDEN, Raymond A. Just|
|THE SAX, Pascal Kulcsar||CHARMER, David Kurtz||THE HEART OF A TIGER, SreyRam Kuy (book and screenplay)|
|MANHATTAN MARILYN, Philippe Laguerre (book and screenplay)||THE UNDERTAKER’S CHILDREN, Natasha Le Petit||INSPIRED, David Lawrence Lynch|
|HOBBY AND FITZ, James Milton||WHEN I WAS A CHILD, T. L. Needham||WINDSPIRIT, Paul Penley|
|THE SHADOW OF DHARMA, Mark Perlick||THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps||THE MYTHICAL GOLDEN TROUT, Craig Peters|
|MAUDITE ÃQUATION, Joel Prost||WHATEVER IT TAKES, Robin Regensburg||THE LAST JOURNEY OF NOAH, Mark Rigoglioso|
|PERISH, Mike Rogers||IMMORTALIZING RAYMOND, James Rosenfield||FIRE ON THE ISLAND, Timothy Smith|
|DESERT RUN, Christopher Thomas||THE LOST OPERA, Rachel, Thomas-Medwid||THE ELECTRIC WAR, Arthur Tiersky|
|THE CRACK IN PEGGY SUE’S FLOOR, John Woodard||KLONDIKE MIKE, Thomas Zmiarovich|
The results are inâ¦ Winter 2018 Screenwriting Contest winners are revealed below!
Another contest complete, another group of winners revealed. Weâve seen the growth and improvement in many writers who have submitted â something that is reflected by the results! Thank you to all of you who entered for making our jobs of judging the scripts enjoyable.
We strongly encourage you to take advantage of our script consultancies to find out why your script placed where it did. Our top 3 now get those for free for the next year!
Hereâs what our Top 3 winâ¦
- Cash prize of $2000 for our Grand Prize Winner
- The 3 winners will receive one year free of script development and mentoring.
- Weâll also pitch and promote the scripts to the top of the film industry. Remind yourself what makes for winning writing Comprar cialis online opiniones.
- Plus, exclusive prizes from InkTip – an InkTip Script Listing and the winning scriptsâ loglines will be featured in InkTipâs Magazine, read by thousands of writers and producers.
CONGRATULATIONS to SLAVE SHIP by Tyler True for winning the Winter 2018 Screenwriting Competition!
A great win for Tyler for this excellent script about harrowing history and inspirational change. Tyler now takes home those wonderful prizes listed above. But we must also congratulateâ¦
Second Placed Winner, CHARMER by David Kurtz â David has improved on his Third Placed finish in our Summer contest and was so close to taking home the main prize! Good job, David!
Third Placed Winner, INSURRECTION by Simon Bowler. Another win for Simon following on from his âBest Teleplayâ win â another script that has continued to improve over multiple submissions!
And, of course, a special congrats to our Honorable Mentions: NEW REALITY by Carolyn Kras, MAGIC MAN by Norma Hickox, THE CRAWL-UP by Gabriell DeBear Paye, VALENTYNE by Dashiell Finley, THE DAWN OF EVE by James Bingham, A Shadow in Space by Bryan Reilly, and THE FOURTH COURIER by TIMOTHY JAY SMITH.
A very well done to everyone named here and the many other impressive scripts we read this time round. Itâs been a tough field to choose from!
Weâll be telling you all about our winners in the coming weeks, and getting their script development phase underway.
Head to our Facebook page and our Twitter feed to congratulate our top three winners and Honorable Mentions yourself!