Black Friday Sale – save on script reports!
For Black Friday this year, we’re slashing prices on our script reports, meaning you can get the expert feedback you need on your writing for less!
Get feedback on your script – Fall 2019 deadline is here!
Just a couple of days remain of the Fall 2019 Screenwriting Contest, which closes this weekend! With the deadline fast approaching, you have until the end of Sunday October 13th to submit…
Spring 2018 Contest – Introducing the Winner of our Best Stageplay Award!
The winner of our Best Stageplay Award in our Spring 2018 Contest also made it all the way to the final, receiving an Honorable Mention: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard!
Our congratulations to John for this achievement; stageplays are judged on their screen potential but equally the quality of the writing. “Viability” is the deciding factor here! John now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.
Read on to find out about the stageplay which took the prize in this category: THE CRACK IN PEGGY SUE’S FLOOR!
Here’s John’s summary of his script…
“In 1944 racist Georgia, a black drifter saves a white recluse by killing her lecherous neighbor — setting in motion a chain of deadly events while uncovering secrets better left hidden.”
And a short biography of John, too…
“John Woodard is a multiple award winning screen, teleplay, and stageplay play writer living in Los Angeles, Ca.. Winner of The 2016 Beverly Hills Theatre Guild Youth Theatre Award for his play “The Princess Parodies.” John has written screen and teleplays in a variety of genres that have all gone on to win various contests, including The Scriptapalooza Grand Jury Prize, Several Nicholl Fellowship finalists, Rhode Island International Grand Jury Prize, 2nd Place Story Pros Screenplay Contest, Page and Page International and many others.
John looks forward to seeing the first production of “The Crack in Peggy Sue’s Floor” on stage as well as his screenplays on the big screen!“
If you’ve got a stageplay that would adapt well to the screen, why not commission our help to get it there?
Introducing the Winner of our Best Book award!
We announced the winner of our Best Book award a short while ago, along with our Quarter-Finalists: BLUT WIRD FLIEßEN by Urs Aebersold!
Our congratulations to Urs for winning in this category, in which we assess both the quality of the writing itself and also its potential for screen adaptation. He now receives a copy of our Confidential Studio Manual and exclusive previews of our Virtual Film School as his prizes.
Read on to find out more about the script which so drew our attention: BLUT WIRD FLIEßEN!
Here’s Urs’ summary of his script…
“Several mysterious suicides are disturbing police detective Nina Brandner – and when her partner dies in the same way, she is certain it is murder.”
And a short biography of Urs, too…
“Urs Aebersold was born in Switzerland, in the famous Emmental area. During his High School time in Biel/Bienne, a lakeshore town with excellent wines, he created several short films with close friends culminating in the 90 minute family drama DIE FABRIKANTEN.
In 1967 Urs went to Munich, studying there at the film school, and later on concentrated on screenwriting. He wrote several screenplays for TATORT, the popular crime series of the First German Television Channel. In the 80s Urs worked for several years for Bavarian Television as a producer and gained the Student Oscar with the short ABGESCHMINKT by Katja von Garnier, and was nominated for the Oscar for foreign language with the movie by Caroline Link JENSEITS DER STILLE.
In 2016 Urs began to write prose; his latest book is the psychothriller BLUT WIRD FLIEßEN.”
If you’ve got a book that would adapt well to the screen, why not commission our help to get it there?
Example Development Notes: DANCES WITH WOLVES Script
Example Development Notes: top-quality, constructive feedback on the DANCES WITH WOLVES script.
““The Western may be a genre that has come in and out of fashion over the years, but this is a story that transcends it and speaks to our humanity.” Extracts from a script report by our Director of World Wide Development Ian Kennedy from his initial work with us, based on the DANCES WITH WOLVES script. The script is hosted at The Daily Script. (more…)