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Want to follow Chris and become a Grand Prize Winner? Our Winter 2019 contest is now open – final deadline January 2019! Enter today and take your first steps towards writing success with WriteMovies!
We are pleased to announce the Semi-Finalists for our Spring 2018 Screenwriting Contest – and the winner of our Best Studio Script, Best Indie Script, and Best Short Script Awards!
After another tough judging period, we’ve decided on the Semi-Finalists for our Spring 2018 Contest – plus three awards in new categories!
The scripts that advanced to the semi-finals impressed us for many reasons, with fantastic stories, well-crafted dialogue, and strong commercial potential – and as ever,Â a lot of great scripts just missed the cut. If yours is one of them, don’t feel downhearted – all of our Quarter-Finalists were impressive entries.
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See the full list of Semi-Finalists below… but first, we’re announcing the best of those movie scripts that aimed themselves firmly at either a HIGH or a LOW budget which we felt could be the most desirable to producers at the budget it set… and, working to a different kind of constraint, we’re also announcing the Best Short Script! Writing a short film demands a particular skill: the ability to tell a complete, poignant story in the space of only a few short minutes – normally less than 15 pages instead of the usual 120.
Next week: we name our top ten and our Overall Winner! Who will take the big prize for the very best entry in our latest major contest?
|Best Studio Script||Best Indie Script||Best Short Script|
|DESERT RUN, by Christopher Thomas!|
With Honorable Mentions to: CHARMER, David Kurtz, and KLONDIKE MIKE, Thomas Zmiarovich.
|FIRE ON THE ISLAND, by Timothy Jay Smith!|
With Honorable Mentions to: LOVERS IN PARIS, Andy Conway, and THE UNDERTAKER’S CHILDREN, Natasha Le Petit.
|ROLL WITH IT, by Rosie Byrnes!|
A big congratulations to the latest winners; we’ll be in touch with them soon about their winnings! Meanwhile, these are all of the other SEMI-FINALISTS who are still in the running for the big one… congratulations to all of them!
|BLUT WIRD FLIEÃEN, Urs Aebersold||REMOTELY WORKING, William Baber||ROLL WITH IT, Rosie Byrnes|
|PARDON MY GENDER: SUCH A FARCE!, Bob Canning||LOVERS IN PARIS, Andy Conway||UNE CHANCE POUR GUÃRIR, Christine de Chauvelin|
|LES NIOCKS, Edith Devillet||THE GOOD CITIZEN, Joel Doty||OPERATION BROTHER SAM, Gustavo Freitas|
|ON THE SPARROW, RW Hahn||THE LAST KING OF AMERICA, Richard Guimond||SOUL OF AN EMPIRE, Ryan Jaroncyk|
|THE SAX, Pascal Kulcsar||HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr.||SHOOTING ANGELS, RW Hahn|
|HOBBY AND FITZ, James Milton||CHARMER, David Kurtz||WINDSPIRIT, Paul Penley|
|MAUDITE ÃQUATION, Joel Prost||THE UNDERTAKER’S CHILDREN, Natasha Le Petit||THE MYTHICAL GOLDEN TROUT, Craig Peters|
|DESERT RUN, Christopher Thomas||WHEN I WAS A CHILD, T. L. Needham||FIRE ON THE ISLAND, Timothy Smith|
|THE LOST OPERA, Rachel, Thomas-Medwid||THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps||THE ELECTRIC WAR, Arthur Tiersky|
|THE CRACK IN PEGGY SUE’S FLOOR, John Woodard||CHILDREN OF EDEN, Raymond Just||KLONDIKE MIKE, Thomas Zmiarovich|
|MANHATTAN MARILYN (book), Philippe Laguerre||MASON, Andrew Marshall|
We are delighted to announce the Quarter-Finalists for our Spring 2018 Screenwriting Contest! And even more importantly, our next two winners…
There have been a lot of great scripts for us to read for this contest, especially with our extended late entry running into June! The competition has been especially fierce, and we’ve enjoyed judging all the scripts we were sent.
So congratulations to our Spring 2018 Quarter-Finalists! Each script here deservedly advances in the contest. We’ll be giving every last one of them a fresh read as we consider which ones will make the Semi-Finals…
With so much competition this time around, a number of promising writers have unfortunately missed out – so don’t feel down if you’re one of them. A lot of the scripts that didn’t make it were strong contenders with a lot of positive features.
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See the full list of Quarter-Finalists below… but first, here are the winners of Best Book and Best Stageplay!
BEST BOOK: BLUT WIRD FLIEÃEN, by Urs Aebersold
BEST STAGEPLAY: THE CRACK IN PEGGY SUE’S FLOOR, by John Woodard
Hearty congratulations to them and everyone else who is still in the running for our other prizes! We’ll be in touch with them soon about their winnings…
|BLUT WIRD FLIEÃEN, Urs Aebersold||REMOTELY WORKING, William Baber||NICKERBACHER, Terry Barto|
|THE DAWN OF EVE, James Bingham||HOPE IS NOT A BLACK AND WHITE RAINBOW, Harold L. Brown||ROLL WITH IT, Rosie Byrnes|
|PARDON MY GENDER: SUCH A FARCE!, Bob Canning||LOVERS IN PARIS, Andy Conway||UNE CHANCE POUR GUÃRIR, Christine de Chauvelin|
|LES NIOCKS, Edith Devillet||THE GOOD CITIZEN, Joel Doty||RELENTLESS, Jay Fisher|
|OPERATION BORTHER SAM, Gustavo Freitas||THE LAST KING OF AMERICA, Richard Guimond||BIG BALLS aka FUTUREBALL, Richard Guimond|
|ON THE SPARROW, RW Hahn||SHOOTING ANGELS, RW Hahn||RACE, Justin Jackson|
|THE HAPPY PLACE, Justin Jackson||THE BROKEN CYPHER, Justin Jackson||SOUL OF AN EMPIRE, Ryan Jaroncyk|
|VIVA – A COLDPLAY MUSICAL, Ines Jimenez||HOLLYWOOD’S MOST WANTED: I’M READY FOR MY CLOSE-UP, ESE, Manny Jimenez Sr.||CHILDREN OF EDEN, Raymond A. Just|
|THE SAX, Pascal Kulcsar||CHARMER, David Kurtz||THE HEART OF A TIGER, SreyRam Kuy (book and screenplay)|
|MANHATTAN MARILYN, Philippe Laguerre (book and screenplay)||THE UNDERTAKER’S CHILDREN, Natasha Le Petit||INSPIRED, David Lawrence Lynch|
|HOBBY AND FITZ, James Milton||WHEN I WAS A CHILD, T. L. Needham||WINDSPIRIT, Paul Penley|
|THE SHADOW OF DHARMA, Mark Perlick||THE ARIZONA BALLOON BUSTER, Mark Perlick and Steven Pripps||THE MYTHICAL GOLDEN TROUT, Craig Peters|
|MAUDITE ÃQUATION, Joel Prost||WHATEVER IT TAKES, Robin Regensburg||THE LAST JOURNEY OF NOAH, Mark Rigoglioso|
|PERISH, Mike Rogers||IMMORTALIZING RAYMOND, James Rosenfield||FIRE ON THE ISLAND, Timothy Smith|
|DESERT RUN, Christopher Thomas||THE LOST OPERA, Rachel, Thomas-Medwid||THE ELECTRIC WAR, Arthur Tiersky|
|THE CRACK IN PEGGY SUE’S FLOOR, John Woodard||KLONDIKE MIKE, Thomas Zmiarovich|
The results are inâ¦ Winter 2018 Screenwriting Contest winners are revealed below!
Another contest complete, another group of winners revealed. Weâve seen the growth and improvement in many writers who have submitted â something that is reflected by the results! Thank you to all of you who entered for making our jobs of judging the scripts enjoyable.
We strongly encourage you to take advantage of our script consultancies to find out why your script placed where it did. Our top 3 now get those for free for the next year!
Hereâs what our Top 3 winâ¦
- Cash prize of $2000 for our Grand Prize Winner
- The 3 winners will receive one year free of script development and mentoring.
- Weâll also pitch and promote the scripts to the top of the film industry. Remind yourself what makes for winning writing Finasteride genericos mexico.
- Plus, exclusive prizes from InkTip – an InkTip Script Listing and the winning scriptsâ loglines will be featured in InkTipâs Magazine, read by thousands of writers and producers.
CONGRATULATIONS to SLAVE SHIP by Tyler True for winning the Winter 2018 Screenwriting Competition!
A great win for Tyler for this excellent script about harrowing history and inspirational change. Tyler now takes home those wonderful prizes listed above. But we must also congratulateâ¦
Second Placed Winner, CHARMER by David Kurtz â David has improved on his Third Placed finish in our Summer contest and was so close to taking home the main prize! Good job, David!
Third Placed Winner, INSURRECTION by Simon Bowler. Another win for Simon following on from his âBest Teleplayâ win â another script that has continued to improve over multiple submissions!
And, of course, a special congrats to our Honorable Mentions: NEW REALITY by Carolyn Kras, MAGIC MAN by Norma Hickox, THE CRAWL-UP by Gabriell DeBear Paye, VALENTYNE by Dashiell Finley, THE DAWN OF EVE by James Bingham, A Shadow in Space by Bryan Reilly, and THE FOURTH COURIER by TIMOTHY JAY SMITH.
A very well done to everyone named here and the many other impressive scripts we read this time round. Itâs been a tough field to choose from!
Weâll be telling you all about our winners in the coming weeks, and getting their script development phase underway.
Head to our Facebook page and our Twitter feed to congratulate our top three winners and Honorable Mentions yourself!
Huge congratulations to our Best Teleplay award winner, INSURRECTION by Simon Bowler! Thatâs two TV awards in two contests for Simon!
Simon now receives free Development Notes to help make his pilot breakthrough. With on-demand bringing the best shows into our homes whenever we want them, the appetite for scripted TV shows is massive and so are the range of new ways to get them made.
Our second placed television entry is SHAKESPEARE OF AVON by James Hanson! For finishing in second place, James will also gain free Development Notes on his pilot. We think thereâs some great potential in these two teleplays and weâre looking forward to setting them on the path to successâ¦
The book with the best screen potential isâ¦ A SHADOW IN SPACE by Bryan Reilly! Weâre delighted to announce Bryan as just the second ever winner of this special award and we canât wait for Bryan to claim his prize! Bryan now receives FREE Development Notes to help him adapt his book to a screenplay, or weâll help him find a screenwriter who can. This could be an exciting breakthrough for Bryan!
Oh, but thereâs moreâ¦ In second place is THE LOCKSMITH by Jeffrey Ryan Moralesâ congrats Jeffrey! We will also be providing Jeffrey free Development Notes to guide him in the process of adapting his book to a screenplay.
Hopefully, this is the first chapter of many for these two talented writers!
We are delighted to announce the Semi-Finalists for our Winter 2018 Screenwriting Contest.
We are delighted to announce the 26 Semi-Finalists for the Winter 2018 Screenwriting Competition! Selecting the scripts with the strongest claim to join our winners has made for a tough but enjoyable task for us the past couple of weeks.
Check out the full list of 26 Semi-Finalists below.
Head on over to our Facebook page and our Escitalopram generic availability feed to congratulate the Semi-Finalists yourselves!
The final results will be announced in two weeksâ time â Friday, March, 16th.
At this time, we try to only include scripts that weâre still considering as a potential winner. Having made the Quarter-Finalists shows that a script or writer already has some clear potential, and a Semi-Final place means that with more development this script could become a contender. Keep that in mind as you think about what to do with your script next. These results should give you a good guide to the current state of your idea, writing and script.
Next, we refocus our attention to the book and television entries as we wind up to next weekâs TV and book awards announcement!
Here are the Winter 2018 Screenwriting Contest Semi-Finalists…
|THE DAWN OF EVE, James Bingham||TO DIE IN TAJOUTE, Virginia Bola||INSURRECTION, Simon Bowler|
|THE OUTSKIRTS OF PARADISE, Montgomery Burt||WHEN THE WHITE DOVE SPEAKS, Al Case||VALENTYNE, Dashiell Finley|
|ENDANGERED SPECIES, Mark Flood||SHAKESPEARE OF AVON, James Hanson||MAGIC MAN, Norma Hickox|
|BLACK SHEEP, John Hunter||WHEN WE FALL BEHIND, Dan Hutchinson||NEW REALITY, Carolyn Kras|
|CHARMER, David Kurtz||THE LOCKSMITH, Jeffrey Morales||BAD DOG, Phil Olsen|
|THE CRAWL UP, Gabriell DeBear Paye||A SHADOW IN SPACE, Bryan Reilly||SAVIOR, Bo Sanders|
|STAR BLUE SOLDIER, Donahue Silvia||THE FOURTH COURIER, Timothy Jay Smith||THE FIRSTBORN, William Smith|
|SLAVE SHIP, Tyler True||LAST PRINCE OF WALES, Ethan Westgate||COLD FOOTED, Tanya M. Wheeler|
|THE REALM, Tanya M. Wheeler||LEGACY OF THE GODS, Tim Wong|